Sundance
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‘Oh, Hi’ Creators Say Film Takes Aim at Modern Dating Culture, ‘But It’s Not a Takedown of Guys’ | Video
Sundance 2025: Sophie Brooks and Molly Gordon tell TheWrap their indie’s origin story of COVID and heartbreak
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‘Sugar Babies’ Review: Flirty TikTokers Documentary Is All Filler
Sundance 2025: Rachel Fleit’s film follows a twentysomething college grad who makes money by flirting with men online
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‘Last Days’ Review: ‘Fast & Furious’ Director Justin Lin’s Return to Indies Falls Flat
Sundance 2025: This feature about doomed missionary John Chau pales in comparison to the documentary that already exists
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Sundance Breakout ‘Train Dreams’ Acquired by Netflix
The film stars Joel Edgerton and Felicity Jones
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‘Zodiac Killer Project’ Review: Netflix True Crime Found Dead in a Ditch
Sundance 2025: Charlie Shackleton’s clever documentary is a wake-up call for the true crime genre
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What’s Behind the Ice Cold Sundance Market?
After high hopes for brisk sales, more deals are coming together “later in the festival and in the days that follow,” says Gersh agent Julien Levesque
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Available to WrapPRO members
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Nick Ut Lawyer Plans Defamation Lawsuit Against ‘The Stringer’ Filmmakers Over Napalm-Girl Photo Flap: ‘Just Not Credible’
Kim Phuc, the girl in the iconic 1972 photo, also passionately supports Ut’s credit in a statement supplied by attorney James Hornstein
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Barry Jenkins Urged Eva Victor to Direct ‘Sorry, Baby’ by Pointing Out Her Comedy Videos ‘Are Directing’ | Video
Sundance 2025: “I just felt that he saw me as a filmmaker before I could see myself as one,” the actress, writer and director tells TheWrap
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‘Magic Farm’ Writer-Director Amalia Ulman Encouraged Improv, Never Turned Her Camera Off for Media Satire | Video
Sundance 2025: “You have to be open to that magic,” Ulman says at TheWrap’s Sundance Studio
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Russell Tovey Says LGBTQ Drama ‘Plainclothes’ Is Sadly Resonant in Today’s ‘Terrifying Times’ | Video
Sundance 2025: Tovey tells TheWrap he wished his 1990s-set movie was “stuck in that time in history,” but its themes still hit close to home
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‘Move Ya Body’ Review: Doc Doesn’t Definitively Answer Its ‘Birth of House Music’ Claim
Sundance 2025: While interesting, Elegance Bratton’s documentary falls short of being the definitive voice on Chicago’s role in house music
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‘Sorry, Baby’ Review: Eva Victor’s Directorial Debut Is a Delightful, Devastating Discovery
Sundance 2025: Also starring Naomi Ackie, this dramedy marks the arrival of an exciting new voice in cinema
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‘It’s Never Over, Jeff Buckley’ Review: Moving Behind-the-Music Doc Illuminates a Life Cut Short
Sundance 2025: ’90s vibes and counter-culture sentiments give musician Jeff Buckley’s life emotional weight in this electric documentary
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‘Sally’ Review: Doc on Astronaut Sally Ride Is Both Enlightening and Discomforting
Sundance 2025: The compelling documentary takes a turn when it begins conjecturing about Ride’s private life
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TheWrap Private Brunch at Sundance 2025: Solutions for Independent Film | Photos
Sponsored by Egon Zehnder, the event brought together financiers, producers and executives to explore new ideas
