Marion Cotillard
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Marion Cotillard’s Careless Motherhood Hurts in ‘Angel Face’
Cannes 2018: Cotillard plays bleached-blonde Marlene, the hard-drinking party girl who seems barely aware that she is a mother
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Cate Blanchett Calls for ‘Parity and Transparency’ in Red Carpet Protest of Gender Inequity in Cannes
“We encourage all the women and men in the world who are standing for change,” Blanchett said in a speech with director Agnes Varda
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Cannes Report, Day 4: Sales Market Heats Up, ‘355’ Sparks Bidding War, Jean-Luc Godard Is Back
Cannes 2018: Rights to films are being bought and there’s even a bidding war going on for a package
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Jessica Chastain Spy Thriller ‘355’ Lands at Universal After Bidding War
Cannes 2018: Universal nabs the film that also stars Penelope Cruz, Marion Cotillard, Lupita Nyong’o and Fan Bingbing
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Cannes Report, Day 3: Women Rule, ‘Cold War’ Hailed as ‘Best Film’ Yet
Ryan Coogler’s panel nabbed headlines while acquisitions are heating up
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‘355:’ Jessica Chastain Female All-Star Thriller Secures French Distribution From SND
The film will also star Lupita Nyong’o, Marion Cotillard, Penelope Cruz and Fan Bingbing
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‘Ismael’s Ghosts’ Film Review: Marion Cotillard Haunts Fascinating Psychological Drama
Re-edited after Cannes, Arnaud Desplechin’s latest takes on Hitchcock, Fellini, and the director’s own filmmaking history
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‘Boy Erased’ Star Theodore Pellerin Joins Netflix’s ‘The OA’ (Exclusive)
His film “First Light” will premiere at SXSW
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Former Publicists for ID, 42West Launch Narrative Public Relations
Liz Mahoney, Megan Moss Pachon, Bryna Rifkin and Heidi Lopata strike out on their own
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‘Ismael’s Ghosts’ Cannes Review: Festival Opens With an Agreeable Valentine to Film
Arnaud Desplechin’s story of a director in a midlife rut was never going to be a great film, but it’s a tasteful way to kick off the 70th Cannes Film Festival
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Cannes 2017 Preview: A Critic Looks Forward to Double Dose of Nicole Kidman and Colin Farrell
CannesWrap magazine: If movies flop on the Croisette, they might end up with a tiny, barely publicized U.S. release
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‘Rogue One’ Blasts Past ‘Sing,’ ‘Assassin’s Creed’ at Thursday Box Office
Bryan Cranston’s “Why Him?” was the only wide-release newcomer on Thursday with $975,000 in previews
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‘Sing’ Edges Past ‘Assassin’s Creed,’ ‘Passengers’ at Tuesday Box Office
Illumination Entertainment’s newest animated film earns $1.71 million at preview screenings
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‘Assassin’s Creed’ Review: Michael Fassbender Flounders in Another Bad Video-Game Movie
Reteaming with his “Macbeth” co-star (Marion Cotillard) and director, Fassbender’s latest tries and fails to break the game-to-film curse
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CAA Cuts Top Agents in Move to Lower Costs, Boost Profits
The Hollywood agency is dropping high paid agents as rival WME continues to grow
