I’m Still Here
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All the 2025 Best Picture Nominees, Ranked by Rotten Tomatoes Score
This year’s Oscars airs Sunday, March 2
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Below the Surface: How ‘The Substance,’ ‘Wicked’ and Other Oscar Movies Grapple With the Female Archetype | Guest Column
TheWrap magazine: Pulitzer Prize winner Salamishah Tillet explores what happens when Hollywood heroines subvert societal expectations of gender norms
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Karla Sofía Gascón Says Fernanda Torres Comments Were Meant to Disparage ‘Toxicity and Violent Hate Speech,’ Not the Actress
The “Emilia Peréz” star says online detractors of the Netflix film are “attempting to discredit my work’”
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How ‘I’m Still Here’ Scored a Best Picture Oscar Nom: ‘We Knew If Academy Members Saw It, We Had a Shot’
Sony Pictures Classics co-president Michael Barker tells TheWrap about the efforts to ensure voters screened the “high-quality” Brazilian film
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Walter Salles and Fernanda Torres: ‘I’m Still Here’ Is Brazil’s Past and Future | Video
TheWrap Screening Series: “Everybody became very conscious that the film was not only about who we had been, but who we were and who we eventually wanted to be,” Salles says
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‘Emilia Pérez,’ ‘The Seed of the Sacred Fig,’ ‘I’m Still Here’ Advance to Oscars International Shortlist
Other films on the 15-film list include “The Girl With the Needle,” “Vermiglio” and “Flow”
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‘I’m Still Here’ Director Walter Salles Says Quiet Inner Strength Can Knock Down Dictatorships
TheWrap magazine: The Brazilian director explains the power and persistence of Eunice Paiva, who fought against a murderous regime in the 1970s
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‘The Immigrant’ Review: Marion Cotillard Gets Exploited at Ellis Island
James Gray directs frequent collaborator Joaquin Phoenix as an enigmatic pimp who takes advantage of just-off-the-boat Polish immigrant Cotillard
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Mickey Rooney Death: Alonso Duralde Looks Back at the Hollywood Legend’s Life and Career
The indefatigable performer survived the Depression, the end of the studio system and the dawn of television in a life that was uniquely 20th century
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The 2010 Oscar Race: Give Us Some Craziness!
Think the operatic excess of “There Will Be Blood,” the ridiculousness of “Inglourious Basterds” — think Joaquin Phoenix
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Good Morning Hollywood, September 20: Malick Goes Home
Roger Ebert scores the “I’m Still Here” critics, and Terrence Malick is (in) OK
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Affleck Admits Phoenix Faking It for ‘I’m Still Here’
Drug addled Joaquin was a performance, documentary director says
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Joaquin Phoenix Returning to Letterman’s Show
The alleged former actor and wannabe hip-hop star will appear Sept. 22
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Review: Joaquin Phoenix’s Docu-Hoax Isn’t Worth All His Navel-Gazing
The ruse would make Andy Kaufman proud, but director Casey Affleck leaves the cameras on too long