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‘The Acolyte’ Hits 4.8 Million Views in First Day on Disney+
The “Star Wars” show ranks as the streamer’s most-watched series premiere this year
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Growing Female Representation Behind the Camera Has Helped Reach Wider TV Audiences | Charts
Shows with female directors saw the greatest growth in demand share, from 12% in 2017 to 21% in 2023
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‘Atlas’ Gives J.Lo a Big Win as Netflix Film Tops Streaming Chart
‘The Sympathizer’ and ‘Under the Bridge’ both climbed the chart with their final episodes of the season
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Tom Brady’s Netflix Roast Dominates Nielsen’s Streaming List Within a Week of Viewing
Viewership for “Bridgerton” Seasons 1 and 2 saw a boost ahead of the romance series’ new installment
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Will ‘Bad Boys 4’ Be Consumed by the Box Office Slump?
Trackers have “Ride or Die” earning a solid $45 million opening, but theater sources aren’t as optimistic
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‘Furiosa’ Joins List of Title Consumers Are Most Excited About | Chart
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The Brits Invade US Newsrooms With a ‘Killer Instinct’ and Fleet Street Ethics
Robert Winnett, the soon-to-be executive editor of the Washington Post, is the latest British journalist to be put in charge of a U.S. news outlet.
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Millie Bobby Brown’s ‘Damsel’ Is Now the 8th Most-Watched Netflix Movie of All Time
“Bridgerton” Season 3 waltzed towards the streamer’s most popular TV list
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Media and Entertainment’s AI ‘Watch List’: 10 Tech Companies to Closely Track | Commentary
From Scarlett Johansson’s voice to Google’s AI Overviews to Apple’s “Crush” iPad ad, May showed it’s time to start monitoring ethically sourced AI.
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Motion Picture Academy Vows to ‘Thoughtfully’ Address Criticism of ‘Antisemitic Tropes’ in Exhibit on Jewish Founders | Exclusive
Outraged Jewish creatives say the exhibit that takes pains to point out Hollywood founders’ flaws with terms like “oppressive,” “tyrant” “predator,” “frugal”
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Why Hollywood Creatives Prefer a Skydance Deal With Paramount | Analysis
As a deal seems close, creatives warn that a merger between Sony and Paramount would mean fewer buyers for their work
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‘Garfield’ Takes No. 1 From a Flat ‘Furiosa’ as a Miserable May Ends for Box Office
The Sony/DNEG animated film needed just $14 million to top the charts
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Why Jane Rosenthal Added an Entire Robert De Niro Mini-Festival to This Year’s Tribeca Festival
Office With a View: The cofounder and producer talks film festival challenges and what to expect from “De Niro Con”
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Netflix Is King When It Comes to Spanish-Language Content | Charts
Netflix has focused on producing and acquiring content from Spanish-speaking countries, while Peacock’s Spanish-language catalog consists primarily of U.S. productions
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VC Says ‘Chaos’ Coming for Startups, Ads and Online Business as Generative AI Eats Web
If the web is an infrastructure built on paying and optimizing for referred traffic, what happens when that’s diminished?
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