TheWrap Magazine
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Anxiety Dream: How a New Character Gave ‘Inside Out 2’ Just the Right Jolt
TheWrap magazine: Anxiety, director Kelsey Mann says, switches the “power of imagination, something that was used for good and play … to this worst-case scenario”
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Cynthia Erivo Casts a Spell: How Her Elphaba Changed ‘Wicked’ for Good
TheWrap magazine: The Emmy, Grammy and Tony-winning entertainer reaches new heights in Jon M. Chu’s film adaptation of Broadway’s beloved trip to Oz
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‘Pachinko’: Inside the Editing Room for the Game-Changing Season 2 Finale
TheWrap magazine: Showrunner Soo Hugh wants to “make sure we have options in the cutting room — ‘mild,’ ‘medium’ and ‘spicy’ performances,” editor Susan E. Kim says
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Why Transforming Colin Farrell for ‘The Penguin’ Was ‘Harder on Every Level’ Than ‘The Batman’
TheWrap magazine: Makeup designer Mike Marino says the biggest challenge in creating Oz Cobb’s look was fighting that thick head of hair
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What Is VistaVision? How ‘The Brutalist’ Revived a Beautiful but Cumbersome Film Format
TheWrap magazine: Cinematographer Lol Crawley describes the artistic power of this unique film process – and why it’s come back in style
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This Is Not a Real Tube Station: Inside the Harrowing ‘Blitz’ Flooding Scene
TheWrap magazine: Oscar-winning production designer Adam Stockhausen gives a tour of a train station built to get wet
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How ‘Only Murders in the Building’ Season 4 Found Its Hollywood Doppelganger Trio
TheWrap magazine: Casting directors Tiffany Little Canfield and Destiny Lilly explain how Eugene Levy, Zach Galifianakis, Eva Longoria and others joined the star-studded cast
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‘Heretic’ Opening Scene: How Hugh Grant’s Wallpaper Is One Big Rorschach Test
TheWrap magazine: Production designer Philip Messina walks us through the living room set that kicks off A24’s acclaimed horror film
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Clothing Steeped in History and Meaning: Inside the ‘Shōgun’ Costumes
TheWrap magazine: Emmy-winning costume designer Carlos Rosario explains key pieces from the epic series’ stunning wardrobe
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‘A Complete Unknown’: How Its Designers Brought Back Greenwich Village – and Bob Dylan’s Skinny Jeans
TheWrap magazine: “We’re not making a documentary, but we’re trying to excavate the essence of Dylan,” costume designer Arianne Phillips says
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‘Dune: Prophecy’ Costume Designer Enjoyed the ‘Tricky’ Task of Creating New Looks in an Existing Universe
TheWrap magazine: Bojana Nikitović breaks down the trial and error process it took to make Ynez’s striking engagement dress
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How the 30-Minute Home Invasion Scene Transformed ‘Anora’
TheWrap magazine: Director Sean Baker and cinematographer Drew Daniels break down the film’s centerpiece sequence
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Hairy Styles: How ‘Planet of the Apes,’ ‘Better Man’ and ‘Sasquatch Sunset’ Got All Hirsute on Us
TheWrap magazine: The visual effects and makeup artists talk about how they dealt with all those bad hair days
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Looks That Could Kill: Inside the Costumes, Hair and Makeup of 5 Oscar Hopefuls
How “Beetlejuice Beetlejuice,” “Wicked,” “Nosferatu,” “The Substance” and “Joker: Folie à Deux” created their to-die-for visuals
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Creating Emilia Pérez: How the Makeup and Costume Teams Transformed Karla Sofía Gascón
TheWrap magazine: “They allowed me to go deeper into the character and make it feel real,” the actress says, speaking alongside Julia Floch-Carbonel and Virginie Montel. “It did not feel like a disguise”
