TheWrap Magazine
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Why ‘Ms. Marvel’ Composer Laura Karpman Spearheaded South Asian Music’s Entrée Into the MCU
TheWrap magazine: “It’s good to make [South Asian music] a part of the Avengers, a part of the world of Captain Marvel or the Guardians of the Galaxy,” the Emmy-winning musician says
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Kumail Nanjiani and Annaleigh Ashford Find Levity in the Darkness of ‘Welcome to Chippendales’
TheWrap magazine: The costars snagged two of the five surprise nominations for Hulu’s limited series about the founder of the famous male strip club
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‘Dahmer – Monster: The Jeffrey Dahmer Story’ Cements Niecy Nash-Betts as a Drama Star
TheWrap magazine: Following her nomination, the actress talks about spotlighting the “overlooked and underserved” Glenda Cleveland with Ryan Murphy’s Netflix series
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For ‘Andor’ Star Diego Luna, Being a Producer Was a Dealbreaker: ‘I Want to Be There When My Opinion Matters’
TheWrap magazine: “There’s no project I’ve been part of where I feel the team cares so much about what we’re doing,” the actor/producer said
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How ‘Queen Charlotte’ Costumes Pulled Inspiration From the Met Gala
TheWrap magazine: Lyn Paolo and Laura Frecon drew from fashion’s annual gala of extravagance to create the looks for Netflix’s “Bridgerton” spinoff
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Why ‘Daisy Jones & the Six’ Included Songs by Industry Legends Like Barry Manilow and Patti Smith
TheWrap magazine: “We wanted to show that there were so many different genres of music in the ’70s,” music supervisor Frankie Pine says
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Melanie Lynskey Doesn’t Care About ‘The Last of Us’ Fan Backlash to Her Character: She ‘Wasn’t in the F–king Game’
TheWrap magazine: Double-nominated for her turns on “Yellowjackets” and “The Last of Us,” the likably candid New Zealand actress has no problem tackling less-endearing characters
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Meet the Married Prosthetic Whiz Team Behind HBO’s ‘House of the Dragon’ and ‘The Last of Us’
TheWrap magazine: “We see each other every single minute of the day… it’s testament to a really good partnership that we haven’t killed each other yet,” says prosthetic makeup artist Barrie Gower
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How Jessica Chastain Convinced ‘George & Tammy’ Costar Michael Shannon to Take His First Emmy-Nominated Role
TheWrap magazine: “Jessica fought to get me in there after there was a vacancy,” Shannon said, “because I think some of the powers that be were like, ‘Can we get somebody a little more…whatever?’”
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‘Beef’ Breakout Young Mazino Says Emmy Nomination a Good Sign for Hollywood’s AAPI Efforts
TheWrap magazine: “Hopefully this empowers [this community] to realize that everyone has just as much of a right to be present in these kinds of awards,” the first-time nominee says
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How ‘Succession’ Stuck the Landing: 3 Emmy-Nominated Directors Tell All
TheWrap magazine: Mark Mylod, Lorene Scafaria and Andrij Parekh reflect on dramatizing the ultra-wealthy elite in the midst of a Hollywood reckoning
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How ‘Top Chef’ Cast the Best of the Best for Its ‘World All-Stars’ Season
TheWrap magazine: Some cheftestants took convincing while others were an easy yes, casting director Ron Mare says
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‘Ted Lasso’: How Its Emmy-Nominated VFX Team Fills Those Stadiums
TheWrap magazine: “We had 258 shots of football to turn over and a lot of other visual effects shots as well,” supervisor James MacLachlan says
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‘Life Below Zero,’ ‘Secrets of the Elephants’ and ‘The Territory’ DPs Keep National Geographic Dominating the Emmys
TheWrap magazine: The trio of nonfiction projects represent powerful, vastly different examples of the network’s advocacy-forward programming
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Why ‘Untucked’ Is Integral to Each ‘RuPaul’s Drag Race’ Queen’s Story – and the Queer Community
“They’re going through every emotion as a human being, not as a character, ” executive producer Kenneth Leslie says
