TheWrap Magazine
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‘Fallen Leaves’ Star Alma Pöysti Explains How Making the Deadpan Rom-Com Was ‘As Pure as Possible’
TheWrap magazine: “(Director) Aki Kaurismäki doesn’t rehearse with us and he prefers to get every shot done in one take,” says the acclaimed actress
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How Jon Batiste Convinced Wife Suleika Jaouad to Document Cancer Battle in ‘American Symphony’
TheWrap magazine: “It’s hard to talk about the grief that you’re feeling. It’s hard to talk about your worst fears,” director Matthew Heineman says
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Mads Mikkelsen Says Blockbusters Like ‘Fantastic Beasts’ Are Fine, but He Really Wants to Make More Danish Films
TheWrap magazine: “More and more, it becomes clear to me that I need to go back,” says the star of Oscar entrant “The Promised Land”
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How ‘The Monk and the Gun’ Director Found Inspiration in Bhutan’s Changing Society
TheWrap magazine: Oscar nominee Pawo Choyning Dorji uses political satire to capture his country in a state of transition
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How Emma Corrin Found the Amateur Detective That Anchors ‘A Murder at the End of the World’
TheWrap Magazine: Cocreators Brit Marling and Zal Batmanglij praise the actor’s “molecular-level” performance on the FX limited series
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‘About Dry Grasses’: Is 6th Time the Charm for Nuri Bilge Ceylan’s Oscar Chances?
TheWrap magazine: “Sometimes very good movies can be neglected in this system, but this is the way it is,” the acclaimed Turkish director says
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How a Heavy Backpack Helped Christian Friedel Portray Human Evil in ‘The Zone of Interest’
TheWrap magazine: “I had to keep all this darkness inside of me,” says the acclaimed German actor. “It was a very tough cocktail”
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‘Lessons in Chemistry’ Star Brie Larson Became a ‘Jack of All Trades’ to Play Elizabeth, Showrunner Says
TheWrap magazine: More than just an executive producer on the project, the Oscar-winning actress “was the heart and soul of the show,” Lee Eisenberg says
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Irwin Winkler Looks Back at His Oscar Nights, Including the One Where ‘I Wanted to Shoot Myself’
TheWrap magazine: The Hollywood figure has produced all-time classics including “Rocky,” “GoodFellas” and “The Right Stuff”
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How ‘The Taste of Things’ Allowed Juliette Binoche to Say ‘I Love You, No Matter What Happened’
TheWrap magazine: The actress speaks about working with her ex, Benoît Magimel, in her acclaimed new film directed by Tran Anh Hung
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Lily Gladstone on Her Journey Into the Mainstream With ‘Killers of the Flower Moon’: ‘I’m in a Better Position to Advocate’
TheWrap magazine: “I’ve flown under the radar and kept my indie cred ’til now,” the breakout actress says
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How Megan Thee Stallion Forced the ‘Dicks: The Musical’ Songwriters to Overhaul Their Big Cabaret Song
TheWrap magazine: Josh Sharp says the rapper “showed up on the first day of the shoot and was like, ‘People think I’m dirty, but y’all are dirty’”
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How Composer Ludwig Göransson Took Viewers Inside J. Robert Oppenheimer’s Head
TheWrap magazine: “You’re with him — you’re feeling his feelings, you’re seeing through his eyes throughout the whole film,” Göransson says
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Why John Carney Needed to Write ‘Good, Not Great’ Music for ‘Flora and Son’
TheWrap magazine: “It can’t be that she suddenly starts singing like Beyoncé and he starts writing Ed Sheeran songs,” Carney says
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How Jarvis Cocker Channeled His Childhood Cowboy to Write Songs for ‘Asteroid City’
TheWrap magazine: The musician and longtime Anderson collaborator also appears in the 1950s-set film
