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Cannes Report

  • In ‘Miss Bala,’ Mexico’s Drug Wars Terrorize Beauty

    A gripping drama set in the world of Mexican drug wars is one of the strongest entries at the festival

    By

    Sharon Waxman
    May 15, 2011 @ 5:33 AM
    5:33 AM
  • Cannes Deals: Relativity Close to Buying ‘Wettest County in the World,’ Bidding Aggressive (updated)

    Update: Relativity’s deal to buy the rights to ‘The Wettest County in the World’ by John Hillcoat may founder over final cut. Others aggressively in the wings

    By

    Sharon Waxman
    May 15, 2011 @ 2:27 AM
    2:27 AM
  • Cannes Deals: FilmDistrict Buys Bruce Willis, Sci-Fi ‘Looper’

    The new indie distributor has bought the U.S. rights to the futuristic thriller by writer-director Rian Johnson film

    By

    Sharon Waxman
    May 15, 2011 @ 2:10 AM
    2:10 AM
  • Cannes, Day 5: Yo-Ho Yo-Ho, A Pirate’s Life for Cannes

    The heart of Cannes may lie in challenging arthouse cinema, but Saturday was a day to bask in the glow of mega-stardom

    By

    Steve Pond
    May 15, 2011 @ 12:55 AM
    12:55 AM
  • After Midnight in Cannes, Johnny Depp and Spike Jonze at the Bar du Cap

    After the red carpet and the premieres, the stars come out at the legendary hotel

    By

    Sharon Waxman
    May 14, 2011 @ 7:04 PM
    7:04 PM
  • For Henry Hopper, Acting Was a ‘Tool’ in Accepting Dennis Hopper’s Death

    The young Hopper tells TheWrap: “I experienced the film before I experienced the reality” of death

    By

    Sharon Waxman
    May 14, 2011 @ 10:21 AM
    10:21 AM
  • Cannes, Day 4: Thieves, Hijackers and ‘Pirates’

    Duran Duran rocks and Lynne Ramsay talks, while a Princess Diana doc and a big pirate movie threaten to hijack the festival

    By

    Steve Pond
    May 14, 2011 @ 6:46 AM
    6:46 AM
  • Cannes: Lee Daniels to Direct Steamy Thriller ‘The Paperboy’

    Southern-set erotic drama will feature Matthew McConaughey, Tobey Maguire, Sofia Vergara and Zac Efron

    By

    Steve Pond
    May 13, 2011 @ 8:16 PM
    8:16 PM
  • Cannes: How Weinstein Won ‘Iron Lady’ Bidding War, and Its Oscar Strategy

    TWC’s Oscar strategy: buy “Iron Lady” after an all-night bidding war with Universal, Searchlight, Summit and others

    By

    Sharon Waxman
    May 13, 2011 @ 4:01 PM
    4:01 PM
  • Cannes Reviews: Of Gods and Women

    “Polisse” is thrown off-balance by its director’s strong presence; “Habemus Papam” grapples with faith and doubt

    By

    Sasha Stone
    May 13, 2011 @ 3:35 PM
    3:35 PM
  • Cannes Diary: The Shimmering Circus

    Our correspondent glories in French pastry, conversation about movies … and a Hollywood-style pecking order

    By

    Sasha Stone
    May 13, 2011 @ 3:32 PM
    3:32 PM
  • Historic Change as Women Directors Leave Mark at Cannes

    Four women directors are screening films in the competition this year — a record, according to festival organizers – and many more are competing in other categories

    By

    Sharon Waxman
    May 13, 2011 @ 9:16 AM
    9:16 AM
  • Cannes: Sony Classics Buys Israeli Drama ‘Footnote’

    SPC's first purchase at Cannes is Joseph Cedar drama about father-son rivalry

    By

    Steve Pond
    May 13, 2011 @ 8:26 AM
    8:26 AM
  • Cannes, Day 3: Weinstein Spends, But Are Bernard & Barker the Kings?

    A couple of new movies divide critics, while a couple of companies — TWC and SPC — take center stage

    By

    Steve Pond
    May 13, 2011 @ 6:48 AM
    6:48 AM
  • Weinstein Takes U.S. Rights to Meryl Streep’s ‘Iron Lady’

    In its latest acquisition at the festival, The Weinstein Company takes domestic rights to the drama with Meryl Streep as Thatcher

    By

    Sharon Waxman
    May 13, 2011 @ 4:45 AM
    4:45 AM
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