Cannes Report
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Cannes Report, Day 2: ‘Rafiki’ Makes History, ‘Don Quixote’ Scores Legal Victory
Plus, Marvel’s “Black Panther” screened at night with the beautiful backdrop of the beach
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‘Sorry Angel’ Film Review: AIDS Drama Explores the Quiet Places
Cannes 2018: Christophe Honoré’s willfully unsentimental character study is the flip side to last year’s grand prize winner, “BPM”
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‘Leto’ Film Review: Musical Biopic Is a Rock ‘n’ Roll Fever Dream
Cannes 2018: Russian director Kirill Serebrennikov tells the story of musician Viktor Tsoi in a way that is messy, surreal and ultimately moving
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‘Yomeddine’ Film Review: First Time’s a Charmer for Egyptian Drama
Cannes 2018: Rookie director A.B. Shawky’s road film about an unlikely pair fleeing a leper colony and an orphanage is the rare Cannes film best described as “sweet”
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‘BlacKkKlansman’ Star Laura Harrier on Going From Spider-Man’s Homecoming to Cannes Red Carpet
TheWrap Cannes magazine: Laura Harrier immersed herself in the early ’70s culture to play a black power activist in new Spike Lee joint
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15 of Cannes’ Hottest Directors, From Spike Lee to Debra Granik to Paul Dano (Exclusive Photos)
Cannes 2018: Paul Dano, Alice Rohrwacher and A.B. Shawky are among the filmmakers presenting their work at this year’s festival
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‘Donbass’ Review: Jarring War Film Reminds Us That No One Is Safe
Cannes 2018: Un Certain Regard section opens with Ukrainian director Sergei Loznitsa’s challenging look at the chaos in his homeland
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Terry Gilliam’s ‘Don Quixote’ Loses Amazon as US Distributor, Wins Court Fight to Screen as Cannes Closer
Film starring Adam Driver has been embroiled in production delays and legal disputes
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Cannes Report, Day 1: ‘Everybody Knows’ Premieres, Cate Blanchett Shines on the Croisette
The 2018 festival is in full swing: Some distributors have already been quick to pounce on films
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Focus Features Acquires Penelope Cruz Drama ‘Everybody Knows’ in Cannes
The film opened the Cannes Film Festival on Tuesday
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Cannes’ Female Troubles: Women Directors Have Always Been Scarce
TheWrap Cannes magazine: Since the festival began, only 4.3 percent of its competition films have been directed by women — and while the percentage is improving, it’s doing so slowly
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Women in Cannes: A Short History of Small Victories and Decades of Male Dominance (Photos)
From the first female director in competition to the first (and only) to win the Palme d’Or, here are a few milestones in a festival that hasn’t been welcoming to women filmmakers
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Screen Media Sings for Julianne Moore’s ‘Bel Canto’
Cannes 2018: Paul Weitz directed the drama based on Ann Patchett’s best-selling novel
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Why Cannes Film Market May Move at an Escargot’s Pace This Year
TheWrap Cannes magazine: With festival fever on the wane, interest in Cannes’ sales titles and competition films looks unexpectedly low
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Cannes Film Festival 2018 Preview: No Selfies, No Netflix, No Problem
Spike Lee, Han Solo and the return of the once-disgraced Lars von Trier ought to overshadow the absence of a streaming giant and the new rules prohibiting red-carpet snapshots
