Cannes Report
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Cannes Report, Day 6: Harvey’s Ghost, Fainting Over Lars von Trier
“The House That Jack Built” signals a (gross) Matt Dillon comeback
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Jean-Luc Godard’s ‘The Image Book’ Acquired by Kino Lorber
Cannes 2018: Film had its world premiere on May 11
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Gaspar Noe’s ‘Climax’ Lands US Deal With A24
Cannes 2018: Argentine director’s latest stars Sofia Boutella as a dancer
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Cannes Film Festival Signs Pledge for More Women Directors, More Transparency
Cannes 2018: The festival becomes the first to sign the new Programming Pledge for Parity and Inclusion in Cinema Festivals
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Annapurna Wins Nicole Kidman Thriller ‘Destroyer’ in Cannes Bidding War
Cannes 2018: Karyn Kusama directs the L.A. crime thriller, which sold in a mid-seven-figure deal
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Cannes Review: Pope Francis Documentary Is a Modest Film About a Bold Man
Cannes 2018: With “Pope Francis – A Man of His Word,” director Wim Wenders has made a performance film that’s more reverential than revolutionary
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Helen Mirren’s ‘Berlin, I Love You’ Sells to Saban Films
Cannes 2018: Indie franchise heads to Germany with stars Keira Knightley and Jim Sturgess
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The Orchard Picks Up Colombian Film ‘Birds of Passage’
Cannes 2018: Directors’ Fortnight opening film follows the impact of the Colombian drug trade on an indigenous village
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Cannes Report, Day 5: Salma Hayek Sounds Off, Gaspar Noé Redeemed
Hayek says Harvey Weinstein countered her accusations because women of color are “easiest to get discredited”
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Cannes So Far: The Spotlight Belongs to the Women
Cannes 2018: The Palme d’Or is anybody’s game, but the news at this year’s festival has been dominated by women making deals and demanding equality
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‘Girls of the Sun’ Film Review: A Middle Eastern Feminist Hero Slays ISIS
Cannes 2018: The story of a female Kurdish unit brings to vivid life the stories we have all read but found so hard to imagine
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‘The World Is Yours’ Film Review: Romain Gavras’ Pop Comedy Is an Absolute Blast
Cannes 2018: Music-video director Romain Gavras has created a “Blues Brothers”-like jaunt for a generation raised on Adderall and French hip hop
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‘To the Ends of the World’ Film Review: At Last, Here’s France’s Vietnam War Movie
Cannes 2018: Guillaume Nicloux brings a touch of European art film to the conflict that has inspired American films like “Platoon” and “Apocalypse Now”
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Marion Cotillard’s Careless Motherhood Hurts in ‘Angel Face’
Cannes 2018: Cotillard plays bleached-blonde Marlene, the hard-drinking party girl who seems barely aware that she is a mother
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‘Secret Garden’ Gets North American Distribution Deal With Global Road
Cannes: Film based on classic children’s novel stars Colin Firth and Julie Walters
