Cannes Report
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Gasper Noe’s Polarizing ‘Climax’ Wins Top Prize at Cannes Directors’ Fortnight
Cannes 2018: A24 will distribute Noe’s macabre odyssey into a dance troupe’s drug-fueled breakdown
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Cannes Report, Day 9: Lars von Trier Responds to Criticism, ‘Burning’ Has Critics Fawning
“The House That Jack Built” director says he’s “never killed anyone myself. If I do, it will probably be a journalist”
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‘At War’ Film Review: Vincent Lindon Improvises His Way to the Front of the Cannes Best Actor Race
Cannes 2018: Lindon stars in French director Stephane Brize’s escalating tale of futile anger and post-globalized doom
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Cannes Report, Day 8: Andrew Garfield’s New Movie Divides, But Critics Are Unanimous About John Travolta’s ‘Gotti’
“Low-rent sideshow,” one review says of Travolta’s mafia film
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John Travolta, Spike Lee and 31 More Portraits From TheWrap’s Studio at The Girls’ Lounge Cannes (Exclusive Photos)
Cannes 2018: Mads Mikkelsen, Topher Grace, Kelly Preston and more show off their new projects on the Croisette
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The Scene at TheWrap and The Female Quotient’s Cannes Panel on Gender Equity (Photos)
Cannes 2018: Top industry figures lead discussion on “Changing Hollywood: The Road to 50/50 by 2020”
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Cannes Report, Day 7: Spike Lee Curses Trump; Lars von Trier Sparks Walkouts; Chewbacca Storms Croisette
Kristen Stewart also stages small rebellion on red carpet
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Nicolas Cage Thriller ‘Between Worlds’ Heads to Saban Films
Cannes 2018: This marks the fifth acquisition out of the festival for the distributor
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Willem Dafoe’s Vincent van Gogh Biopic ‘At Eternity’s Gate’ Framed by CBS Films
Cannes 2018: Director Julian Schnabel’s film is currently in postproduction
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‘The House That Jack Built’ Film Review: The Real Shocker Is How Dull Lars von Trier’s Film Is
Cannes 2018: Lars von Trier’s gleeful look at a sadistic killer is actually boring when it isn’t grossing you out
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Mary Elizabeth Winstead and Common’s ‘All About Nina’ Plucked by The Orchard
Cannes 2018: Eva Vives’ debut feature premiered last month at the Tribeca Film Festival
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Spike Lee Denounces ‘That Motherf–er’ Trump, Explains Charlottesville Scenes in ‘BlacKkKlansman’
Cannes 2018: “It was a defining moment, and he could have said to the world, not just the United States, that we were better than that,” director says
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‘Asako I & II’ Film Review: Leisurely Japanese Drama Explores Nature of Love
Cannes 2018: director Hamaguchi Ryusuke tells story of a young woman whose first love abandons her, so she finds another man who looks just like him
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Activists, Experts in Hollywood Demand Action to Achieve Greater Gender Equity
Cannes 2018: A panel convened by TheWrap insisted that equality can be achieved
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Spike Lee’s ‘BlacKkKlansman’ Gets Cannes Standing Ovation, Social Media Praise
John David Washington and Adam Driver take on the dim-witted KKK in Lee’s latest
