Cannes Report
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Saban Films President Talks Cannes Shopping Spree, Future Plans in ‘Theatrical Business’
Cannes 2018: “We’re staring to slowly and carefully get into the theatrical business,” Bill Bromiley tells TheWrap
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Cannes Film Market ‘Healthy’ as New Players Fill Streaming Giant Void
Cannes 2018: “People associate activity with big players spending a lot of money. That can be a little misleading,” Saban Films president Bill Bromiley tells TheWrap
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The Cannes – Oscar Connection: How Strong Will It Be This Year?
The connection between the most prestigious film festival and the most celebrated film award can fluctuate wildly — and this year’s crop is most promising in one specific category
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‘Fahrenheit 451’ Film Review: Michael B. Jordan Remakes Ray Bradbury for the Age of Fake News
Cannes 2018: Ramin Bahrani directed a new adaptation starring Michael Shannon
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Asia Argento Condemns Harvey Weinstein During Cannes Awards: ‘This Festival Was His Hunting Ground’ (Video)
“We’re not going to allow you to get away with it any longer,” actress warns other sexual predators in the industry
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Is the Cannes Film Festival in Decline? Not to the French
Cannes 2018: As the festival comes to an end, here’s why it still matters — and why “BlacKkKlansman” and “Sink or Swim” were two of its most important films this year
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Netflix Lands Cannes Award Winners ‘Happy as Lazzaro’ and ‘Girl’
Streaming service previously closed a $30 million worldwide deal for animated film “Next Gen”
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‘Shoplifters’ Wins Palme d’Or at 2018 Cannes Film Festival
Cannes 2018: Spike Lee takes Grand Prize for “BlacKkKlansman”; Marcello Fonte and Samal Yeslyamova win acting awards for “Dogman” and “Ayka”
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Critics’ Groups Give Top Cannes Awards to Korean Drama ‘Burning’
Cannes 2018: Lee Chang-dong’s slow-burn drama was named the festival’s top film by FIPRESCI and the International Cinephile Society
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‘The Wild Pear Tree’ Film Review: Cannes Competition Ends With Exasperating, Talky Drama
Cannes 2018: Nuri Bilge Ceylan’s “Winter Sleep” won the Palme d’Or in 2014, but his new “The Wild Pear Tree” has plenty of the former’s verbose sprawl with little of its gravitas and heft
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Cannes Report, Day 10: What Will Win the Palme d’Or?
Cannes 2018: Cate Blanchett’s jury will have the chance to make a statement about women or race or international politics or just cinema
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Troll Sex Movie ‘Border’ Wins Top Prize in Cannes’ Un Certain Regard Section
Cannes 2018: Sergei Loznitsa wins best-director award for “Donbass,” while Viktor Polster takes acting prize for “Girl”
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Magnolia Pictures Pinches Japanese Drama ‘Shoplifters’
Cannes 2018: Hirokazu Kore-eda’s new film premiered this week at the French festival
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‘Capharnaum’ Film Review: Nadine Labaki’s Searing Drama Brings Tears, Ovations
Cannes 2018: Film about undocumented boy is a kind of “Slumdog Millionaire” scrubbed of empty flash and infused with blistering geopolitical resonance
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‘Whitney’ Cannes Review: Beyond the Bombshells Is a Straightforward Music Documentary
Cannes 2018: Where the Oscar-winning “Amy” was a full-on record, Kevin Macdonald’s Whitney Houston doc is more of a greatest hits compilation
