Cannes Report
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‘Three Faces’ Film Review: Once Again, Jafar Panahi Is Modest But Profound
The Iranian director is officially forbidden from making films for 20 years, but “Three Faces” is the latest exceptional work he’s made in the face of that ban
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‘Sorry We Missed You’ Film Review: Once Again, Ken Loach Sings the Working Class Blues
Loach’s working-class drama is a timely look at the gig economy, but the veteran British director struggles to find anything fresh to say in his usual arena
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‘Climax’ Film Review: Is It a Movie, or an LSD Trip?
Cannes 2018: Director Gaspar Noé unleashes a troupe of Europe’s most nimble dancers to vogue you, krump you and pop-lock you through one very bad trip
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‘The Image Book’ Film Review: Once Again, Jean-Luc Godard Messes With Viewers’ Heads
The 87-year-old director’s newest film is an essay in sound and picture and an assault on the idea of cinema and, sometimes, on the viewer
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‘Everybody Knows’ Film Review: Penélope Cruz, Javier Bardem Shine in Strong, Disquieting Thriller
Asghar Farhadi’s dark drama stars Penelope Cruz and Javier Bardem, who have rarely gone to these emotional extremes in their work together
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Penélope Cruz Says She Spent Months in ‘Terrifying Pain’ for ‘Everybody Knows’
TheWrap Cannes magazine: “It was the most difficult character I’ve ever had to play,” says the actress of her role as a desperate mother in Asghar Farhadi’s Spanish-language drama
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‘The Traitor’ Film Review: Sturdy Mafia Biopic Loses Something in Translation
Actor Pierfrancesco Favino delivers an exquisite movie star turn
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‘Les Miserables’ Film Review: Socially Minded Thriller Breathes New Life Into an Old Tale
Director Ladj Ly explores the fissures that lead a society from collective joy to revolutionary anger
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‘Cold War’ Film Review: Romance in Postwar Europe Is Ravishing and Haunted
Polish director Pawel Pawlikowski returns to Europe in the aftermath of World War II in his first film since the 2013 Oscar winner “Ida”
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‘Happy as Lazzaro’ Film Review: Alice Rohrwacher Charts the Course of a Holy Fool
Rohrwacher’s fable, the second of this year’s competition films from a female director, is both transporting and maddening
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‘Shoplifters’ Cannes Review: Is the Seventh Time a Charm for Hirokazu Kore-eda?
Cannes 2018: Frequent Cannes participant returns to the Croisette with the richest film of his career
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‘Burning’ Film Review: Korean Auteur Lee Chang-dong Returns With Breathtaking Drama
Sections of the film rank among the most accomplished displays of cinematic poetry since 2011’s Palme d’Or winner “The Tree of Life”
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‘BlacKkKlansman’ Film Review: Spike Lee Looks Back – and Forward – in Anger
Based on the true story of a black cop who infiltrated the KKK, this is Lee’s most vital and impassioned film in decades
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Christine Baranski Has a Donald Trump Hangover – and So Does Her ‘Good Fight’ Character
TheWrap Emmy magazine: “We’re all feeling unhinged, aren’t we?” actress says
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‘How to Talk to Girls at Parties’ Film Review: Punks Meet Aliens in Messy Mash-Up
Elle Fanning and Nicole Kidman are among the stars of John Cameron Mitchell’s awkward film, which could have been a midnight-movie hit in another era
