Cannes Report
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Cannes Film Festival 2019 Awards: ‘Parasite’ Wins Palme d’Or
Antonio Banderas wins Best Actor award for “Pain and Glory,” while Best Actress prize goes to Emily Beecham for “Little Joe”
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‘Sibyl’ Film Review: Cannes Competition Ends With a Woody Allen-Style Comedy
Cannes 2019: Director Justine Triet draws from a couple of different phases in Allen’s career and offers more proof that Virginie Efira is one of the most interesting French actresses working today
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Sony Pictures Classics Acquires Michael Angelo Covino’s ‘The Climb’
Cannes 2019: Film stars Covino, Marvin, Gayle Rankin, Talia Balsam, George Wendt and Judith Godrèche
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‘The Invisible Life of Euridice Gusmao’ Wins Top Award in Cannes Un Certain Regard Section
Cannes 2019: Other winners included “The Fire Will Come,” “Beanpole,” “On a Magical Night” and “The Climb”
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‘It Must Be Heaven’ Film Review: Palestinian Comedy Finds Absurdity Around the World
Cannes 2019: The human comedy, says Elia Suleiman’s first film in a decade, recognizes no nationalities and encompasses us all
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Cannes Report, Day 10: ‘Mektoub, My Love’ Trolls, ‘The Traitor’ Sells Out
Claire Denis-led jury also awards short film “Mano a Mano” with top prize from Cinefondation
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‘Mektoub, My Love: Intermezzo’ Film Review: Abdellatif Kechiche Trolls Cannes With NSFW Excess
Cannes 2019: This sexually explicit three-and-half-hour-long provocation feels like a director self-immolating
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‘Mano a Mano’ Wins Short Film Prize From Cinefondation at Cannes
Jury led by Claire Denis awards first prize to film from director Louise Courvoisier
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Cannes Report, Day 9: Xavier Dolan Grows Up, Neon Falls for ‘Portrait of a Lady on Fire’
Both Dolan’s “Matthias and Maxime” and Arnaud Desplechin’s “Oh Mercy!” made their debuts Wednesday
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‘I Lost My Body,’ ‘Vivarium’ Win Prizes in Cannes Critics’ Week Section
Cannes 2019: Other Critics’ Week winners include “A White, White Day,” “She Runs” and “Our Mothers”
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‘Oh Mercy’ Film Review: Is This Cop Drama a Pilot In Disguise?
Cannes 2019: Idiosyncratic director Arnaud Desplechin breaks form with this standard-issue procedural
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Jesse Eisenberg, Antonio Banderas and 19 More Portraits From TheWrap’s Cannes Studio (Photos)
Stars and filmmakers stop by TheWrap’s studio at La Journée by The Land
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‘Matthias & Maxime’ Film Review: Xavier Dolan Finds Maturity at the Ripe Old Age of 30
Cannes 2019: The Canadian director has always been a maestro of oversized emotions, but the warmth and restraint of “Matthias & Maxime” is what gives it life
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Cannes Report, Day 8: Quentin Tarantino’s ‘Once Upon a Time … in Hollywood’ Steals the Show
Bong Joon-ho’s “Parasite” also debuts in competition
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Quentin Tarantino Says He Thinks He Might Have Gone Horseback Riding With the Manson Family
Cannes 2019: The director of “Once Upon a Time … in Hollywood” discusses why people are fascinated by the 1969 murders, and whether he had qualms about portraying the perpetrator and victims on screen
