Cannes Report
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‘The Wild Goose Lake’ Film Review: Chinese Action Flick Is Indulgent but Fun
Director Diao Yinan puts his own spin on some familiar action tropes
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‘Beanpole’ Film Review: Dark Russian Drama Delves Into Postwar Purgatory
Kantemir Balagov won the directing award at Cannes’ Un Certain Regard for a film that plays like a cosmic joke but is wholly untouched by humor
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‘A Hidden Life’ Film Review: Terrence Malick Gets His Mojo Back With World War II Drama
Anchored in story in a way his last few movies have not been, this World War II drama is the director’s most monumental work since “The Tree of Life”
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‘Little Joe’ Film Review: Horticultural Horror Flick Is a Gonzo Genre Freakout
Jessica Hausner’s English language debut is about a specially-bred flower that develops sinister powers
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‘Atlantics’ Film Review: Mati Diop Offers Poetic New Take on Refugee Tale
Romantic drama mixes personal, political and supernatural
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‘Frankie’ Film Review: Isabelle Huppert and Marisa Tomei Shine in Quiet Family Drama
Ira Sachs’ melancholy tone poem follows French and American actors in a picturesque European setting
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‘The Lighthouse’ Film Review: Robert Pattinson Rocks With a Portrait of Madness
Before he has a chance to don Batman’s cowl, Pattison teams with Willem Dafoe to rip into this black-and-white fever dream with demented glee
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‘Parasite’ Film Review: Bong Joon-ho Tackles Disparity With Delicious Dark Comedy
Cannes 2019: This darkly funny thriller with a searing social conscience is a remarkable success, but will the jury see past its genre?
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‘Pain and Glory’ Film Review: Antonio Banderas Plays Pedro Almodóvar – Sort Of
Cannes 2019: Almodóvar’s gentle memory piece replaces the youthful provocation of his early films with mature reflection
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Sony Chief Tom Rothman on Quentin Tarantino and Original Films: ‘You Have to Commit’
Sony’s movie chief savors a glowing first screening of “Once Upon a Time… in Hollywood” at the Cannes Film Festival
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‘Once Upon a Time … in Hollywood’ Film Review: A Contemplative Quentin Tarantino Still Blows the Roof Off the Joint
Big, brash, ridiculous, too long, and in the end invigorating, the film is a grand playground for its director to fetishize old pop culture
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‘For Sama’ Film Review: Syrian Documentary Finds Wrenching Personal Take on Conflict
The Syrian tragedy has been the subject of numerous nonfiction films, but directors Waad al-Kateab and Edward Watts put the children at its center
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Well Go USA Acquires Takashi Miike’s ‘First Love’ Out of Cannes
Cannes 2019: Film stars Masataka Kubota, Nao Omori, Shota Sometani and newcomer Sakurako Konishi
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‘Rocketman’ Film Review: Elton John Gets a Musical Fantasy That Sometimes Achieves Liftoff
Dexter Fletcher’s film abandons the biopic model to freely mix fantasy and reality in an extravagant, fun and frustrating jukebox musical
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Netflix Acquires ‘Atlantics’ and ‘I Lost My Body’ Following Cannes
Mati Diop’s debut feature “Atlantics” played in competition, and Jérémy Clapin’s animated film won the top prize at Cannes Critics’ Week
