Cannes Report
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Cannes Film ‘The Eight Mountains’ Lands North American Deal with Sideshow and Janus
The drama from directors Felix van Groeningen and Charlotte Vandermeersch won the Grand Jury Prize at this year’s festival
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‘Elvis’ Film Review: Baz Luhrmann Gleefully Distorts Legend’s Life in Extravagant Biopic
The Australian director’s film is part spirited homage to a titanic force in American music
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Cannes Film Festival 2022 Portrait Gallery (Exclusive Photos)
Woody Harrelson, Riley Keough, Lee Jung-jae and more pose for TheWrap
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‘Crimes of the Future’ Film Review: David Cronenberg Plays the Hits, But Always With Style
Whether this is the Canadian auteur’s final film, he offers closing arguments on his thematic and visual obsessions
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Cannes Jury Prize Winner ‘EO’ Acquired by Sideshow and Janus Films
The film shows the world through the eyes of a donkey
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Cannes 2022 Winners: ‘Triangle of Sadness’ Wins Palme d’Or
Other winners include “Close,” “Stars at Noon,” “Decision to Lave” and “Holy Spider”
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‘Mother and Son’ Film Review: Intimate Immigration Drama Spans Decades
Cannes 2022: Léonor Serraille closes out Cannes’ main competition with a family story whose touch is more tactile than didactic
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‘The Worst Ones,’ Vicky Krieps Win Prizes in Cannes’ Un Certain Regard Section
Cannes 2022: Other winners include “Joyland,” “Harka” and “Metronomes”
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Cannes Report Day 11: ‘La Jauria’ Takes Critics Week’s Grand Prize
Plus, “War Pony” Wins Palm Dog Award, Magnolia Takes U.S. rights on “King’s Land”
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‘Showing Up’ Film Review: Kelly Reichardt Comedy Gently Ribs Portland Art Scene
Cannes 2022: Michelle Williams stars as a sculptor struggling to launch her first solo show
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Magnolia Takes Domestic Rights to Period Epic ‘King’s Land’ Starring Mads Mikkelsen
Film was directed by Nikolaj Arcel (“A Royal Affair”)
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Cannes’ American Pavilion Interns Report Unpaid Work, Inappropriate Behavior: ‘I Feel Heavily Misled’
“We are all so desperate for connections that we don’t want to speak out,” one intern in the student program said at the Penske-owned property
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Cannes Report Day 10: Baz Luhrmann’s ‘Elvis’ Makes a Star Out of Austin Butler
Plus, “One Fine Morning” from Mia Hansen-Løve and star Léa Seydoux wins a Directors’ Fortnight prize
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‘Butterfly Vision’ Film Review: Ukrainian Post-War Drama Is Horrifically Timely
Cannes 2022: Maksym Nakonechnyi’s film follows a drone pilot returning home to Ukraine after being held captive for months by Russian separatists
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Is Cannes Back? Why a Wave of ‘Vibrant’ Film Sales Has Buyers ‘Very Happy’
Cannes 2022: “I’ve seen a confidence in their business, saying we’re buying, we need content, and what do you got,” Millennium’s Jeffrey Greenstein says
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