Emmys
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How ‘Yellowjackets’ Used Radiohead and an Ensemble Cast to Keep Things ‘Simple’ in the Edit Booth
TheWrap magazine: “We’re guessing as much as anyone online and we’re on a need-to-know basis by how many scripts ahead we are,” editor Kevin D. Ross says
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Andy Serkis Figured Out the Big ‘Andor’ Reveal Because of His Son’s Lego Set: ‘It Is Such a Brilliant Idea’
TheWrap magazine: The actor tells us about his trepidation to return to “Star Wars” and his desire to see more of Snoke
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Why Keri Russell Returned to TV With ‘The Diplomat’
TheWrap magazine: She wasn’t looking for another series. But the Netflix political drama surprised her: “It was the first thing I’d wanted to do in a million years”
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How the Team of ‘A League of Their Own’ Built Their Own East Coast Baseball Empire
TheWrap magazine: “We were all in awe of the movie,” production designer Victoria Paul says. “It’s a classic, and we didn’t shy away from looking at how they did it”
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Sweet Tartt: How ‘Ted Lasso’ Star Phil Dunster Became the Final Season’s MVP
TheWrap magazine: “It was always important to me and everybody else that Jamie didn’t just become nice,” Dunster says. “I think that becomes vapid and it’s not fun for the audience”
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How the ‘Party Down’ Cast Made a Genuinely Good Revival Series: ‘It’s Pretty Easy to Tarnish the Legacy’
The Wrap magazine: Adam Scott, Ken Marino and Martin Starr talk physical comedy, emotional stakes and the prospect of another season
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‘The Marvelous Mrs. Maisel’: Will the Third Time Be the Emmy Charm for Composers Thomas Mizer and Curtis Moore?
TheWrap magazine: “My own dad can’t tell what’s a standard and what’s ours, and that may be hard on our ego but is exactly what we want,” Mizer says
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‘Swarm’: Production Designer Sara K White Has a Bloody Good Time Capturing Dominique Fishback’s Descent
From working on film to designing around blood splatter, the creative team behind Donald Glover and Janine Nabers’ series makes horror look good
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‘Poker Face’ Lives or Dies on the Backs of Its Best-in-Class Guest Stars
TheWrap magazine: Lil Rel Howery and others remember acting in an episode of the Natasha Lyonne-led Peacock comedy as “a dream come true”
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Zazie Beetz Says Goodbye to ‘Atlanta’: ‘We All in Some Ways Grew Up Together’
TheWrap Magazine: The actor says that with upcoming projects like “Joker: Folie à Deux,” she thinks she might have a stage musical in her
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H.E.R. Way: Why Belle From ‘Beauty and the Beast’ Was a Dream Role for the Oscar-Winning R&B Crooner
TheWrap magazine: “I have always wanted to be a Disney princess,” the performer says of starring in ABC’s musical special
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‘Poker Face’ Achieves Its Vintage Look Thanks to Cinematographer Steve Yedlin’s Self-Taught Coding Skills
TheWrap magazine: Rian Johnson’s longtime lenser recalls thinking, “How can we do this the best we can, even if it’s not even the preferred method?”
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How the ‘Shrinking’ Team Landed Harrison Ford for the Modest Apple TV+ Ensemble Comedy
TheWrap magazine: “All we did was put his name on a list, which is a great thing in and of itself…and not be laughed out of the room,” casting director Debby Romano says
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‘Abbott Elementary’: Sheryl Lee Ralph, Lisa Ann Walter and Tyler James Williams Share the Secret to Their Chemistry
TheWrap magazine: “You meet some people and you immediately click and it’s just magic. And for all of us, we clicked and it was magic,” Ralph says
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‘Prey’ Became a Best-in-Class Prequel by Bringing ‘Predator’ Back to the Basics
Cinematographer Jeff Cutter says that even on streaming, he and director Dan Trachtenberg intended “to make the biggest, most cinematic movie we can”
