Wrap Magazine
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How Andrew Garfield Went From Jonathan Larson to Jim Bakker to Spider-Man in One Crazy Year
TheWrap magazine: “It was a very mystical, profound thing, a kind of storytelling ritual of grief and even gratitude,” says Garfield of his role in “tick, tick…BOOM!”
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Guillermo del Toro on ‘Nightmare Alley’: No Monsters, No Problem
TheWrap magazine: “In my movies, the real monster is man, and it was about time to try it without any fantastical elements,” says the director
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How Oscar Voters Could Make the Best Picture Category Even Weirder This Year
Expanding the category to 10 nominees could increase variety, but only if voters take advantage of the opportunity they’ve been given
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‘My Sunny Maad’: Making an Animated Film That Doesn’t Feel Like Animation
TheWrap magazine: “I wanted to make a film where people would forget it’s animated,” says Czech director Michaela Pavlatova
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Pedro Almodovar and Penelope Cruz on Pain, Friendship and Sexy Mothers
TheWrap magazine: “When Penélope arrived in the Spanish cinema, let’s just say that housewives and mothers became much more attractive,” says Almodovar
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How ‘Belle’ Created a Great Animated Scene by Holding a Single Shot (Video)
TheWrap magazine: Director Mamoru Hosoda breaks down the movie’s most unforgettable sequence
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How ‘Passing’ Star Tessa Thompson Explored the Many Layers of Identity
TheWrap Magazine: She’s been in franchises from “Creed” to “Thor,” but Tessa Thompson found herself in new territory with her latest film
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‘Passing’ Star Tessa Thompson Covers TheWrap Magazine (Exclusive Photo Gallery)
The actress glams up for exclusive portraits for TheWrap
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‘Encanto’: How ‘Dos Oruguitas’ Was Brought to Life
TheWrap magazine: The filmmakers behind the Disney hit say the touching number was originally part of the prologue
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‘The Morning Show’ Design Problem: Go Around the World Without Leaving L.A.
TheWrap magazine: Production designer Nelson Coates had to stage scenes set in China, New York, New Orleans and Italy, all in Southern California
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How a Bathroom Break Was a Key to the Design of ‘The Green Knight’
TheWrap magazine: Designer Jade Healy says she’s thankful for what the film’s D.P. found when he took a leak in the woods
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The Hardest Costume Design Challenge on ‘Cyrano’ Had Nothing to Do With the Lead Character
TheWrap magazine: “They are the aliens of the 1700s,” says costume designer Massimo Cantini Parrini of the characters that caused him “a great deal of suffering”
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The Big Design Challenge for ‘Licorice Pizza’: Find 1970s L.A. in the 2020s
TheWrap magazine: “We were looking for pockets where people hadn’t demolished their ranch houses to build white modern monstrosities,” production designer Florencia Martin says
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Oscar Contenders in Black and White, From ‘Belfast’ to ‘The Tragedy of Macbeth’
The filmmakers behind four acclaimed films — “Belfast,” “C’mon, C’mon,” “Passing” and “The Tragedy of Macbeth” — discuss the magic of shooting in the old-fashioned format
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‘Passing’: How Classic Hitchcock Thrillers Influenced the Dreamy Black-and-White Look
TheWrap magazine: “What could be better than black-and-white when it comes to the core of light and darkness?” cinematographer Eduard Grau says
