Wrap Magazine
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How ‘Oppenheimer’ Ignited an Explosion of 70mm
TheWrap magazine: Film-school administrators and a student weigh in whether the celluloid celebration is here to stay or merely a passing fad
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How Some Film Schools Are Getting More ‘Woke’ – and Why Professors Find It ‘Kind of Wonderful’
TheWrap magazine: Administrators from top film schools weigh in on how to teach films with problematic legacies like “Gone With the Wind”
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TheWrap’s Top 50 Film Schools for 2023
TheWrap magazine: Whether you thrive on NYC energy, SoCal sunshine or pretty much anything in between, there is a film school for you
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How Iconic Indie Producer Christine Vachon ‘Brought the Industry Into the Classroom’
TheWrap magazine: A conversation with the producer of “Carol” and “Past Lives” on film schools, first-time directors and the state of cinema and education
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Why ‘Daisy Jones & the Six’ Included Songs by Industry Legends Like Barry Manilow and Patti Smith
TheWrap magazine: “We wanted to show that there were so many different genres of music in the ’70s,” music supervisor Frankie Pine says
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Norman Lear: Emmy Voters Are Still Paying Attention to the 101-Year-Old Master
TheWrap magazine: “Norman Lear: 100 Years of Music & Laughter” was designed as “the celebration of a life well lived,” executive producer Brent Miller says
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‘Succession’ Composer Nicholas Britell Says Scoring Logan Roy’s Death ‘Was Unlike Anything I’ve Done’
TheWrap magazine: The three-time Emmy nominee (also of Disney+’s “Andor”) tells TheWrap about avoiding the shadow of John Williams and more
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What Lena Waithe Learned From Mary Tyler Moore: ‘I Was Inspired to Write Timeless Television’
TheWrap magazine: The “Master of None” star served as one of the producers on the Emmy-nominated documentary “Being Mary Tyler Moore”
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Jeff Probst Tries to Explain Why ‘Survivor’ Got an Emmy Nomination After a 17-Year Shutout
TheWrap magazine: The show is finally back in the Outstanding Reality Competition Program category for the first time since 2006
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How Joni Mitchell’s PBS Special Captures the New Voice of a Musical Icon
TheWrap magazine: “It’s nothing short of a miracle that she’s back to where she is,” Emmy-nominated musical director Greg Philinganes says
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Giant Cabbage and Raining Raisins: Behind the Scenes at ‘Last Week Tonight With John Oliver’
TheWrap magazine: “It’s almost hard not to get nominated with the infrastructure they set up for you,” says director Paul Pennolino
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How Phil Dunster Finally Caught Up With His ‘Ted Lasso’ Castmates at the Emmys
TheWrap magazine: “If we suddenly made (the character) emotionally intelligent, the audience wouldn’t appreciate that,” says the first-time Emmy nominee
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From Ed Sheeran to ‘Weird Al’ Yankovic, a Guide to the Emmy-Nominated Songs
Even the serious ones play with comedic elements
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Rufus Sewell Found the Key to the Political Drama ‘The Diplomat’ in Screwball Comedy
TheWrap magazine: “The dynamic of the relationship was incredibly, recognizably real,” the British actor says of the flirting, fighting characters he and Keri Russell play
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‘Poker Face’ Lives or Dies on the Backs of Its Best-in-Class Guest Stars
TheWrap magazine: Lil Rel Howery and others remember acting in an episode of the Natasha Lyonne-led Peacock comedy as “a dream come true”
