Wrap Magazine
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Taron Egerton on How ‘Rocketman’ Found Elton John’s Truth by Not Worrying About the Facts
TheWrap Oscar magazine: “I just wanted to capture the showman in him, the anger in him, the pain and vulnerability,” the actor says
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‘Wild Rose’ Star Jessie Buckley Changed Her Mind About Country Music After Playing a Nashville Singer
TheWrap Oscar magazine: “I thought it was a bit hick,” the Irish actress says
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Meet Julia Butters, the 10-Year-Old Scene Stealer From ‘Once Upon a Time … in Hollywood’
TheWrap Oscar magazine: “I had no idea who Quentin (Tarantino) was, so I didn’t know it was going to be a big movie,” actress says
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How Jonathan Majors Went From Sundance Hit ‘Last Black Man in San Francisco’ to a Spike Lee Joint
Yale drama school grad has seen his career rise quickly since starring in “The Last Black Man in San Francisco”
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How Gershwin Superfan Elisabeth Moss Became a Punk Singer in ‘Her Smell’
TheWrap Oscar magazine: “I have great pictures of me in my ‘Handmaid’s Tale’ costume playing a guitar,” says Moss of her preparation for the Alex Ross Perry drama
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Pharrell Williams Wrote a Song About a Music Legend He’d Never Even Met for ‘The Black Godfather’
TheWrap Oscar magazine: “All these people that he opened doors for talked about his immense power, his business acumen and the energy he brought to a room,” Williams says of Clarence Avant
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Why ‘Harriet’ Star Cynthia Erivo Insisted on Writing a Song for the Film Too
TheWrap Oscar magazine: “I was probably a pain to most people because I was so specific about what I wanted to hear and what I wanted to do,” says the British actor, singer and songwriter
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How ‘Frozen II’ Songwriters Stopped Thinking About ‘Let It Go’ to Write Songs for the Sequel
TheWrap Oscar magazine: “There’s drinking involved,” says Kristen Anderson-Lopez of the way she and her husband Robert dealt with the pressure of following that smash hit
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Diane Warren, ‘The Susan Lucci of the Oscars,’ Is Back in the Race Again
TheWrap Oscar magazine: And initially, she says, she really didn’t want Chrissy Metz to perform her new song “I’m Standing With You” from “Breakthrough”
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Why Jackson Browne Overcame His Reluctance to Write Movie Songs for ‘5B’
TheWrap Oscar magazine: “I found it easier than I thought,” Browne admits of the song he co-wrote for the documentary about the early says of the AIDS epidemic
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How Mary Steenburgen Used Her ‘Actor Superpowers’ to Write a Song for ‘Wild Rose’
TheWrap Oscar magazine: “I can’t play guitar, but I can get ahold of scripts,” says the actress who has turned to songwriting in the last decade
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How the Chinese Animation Industry Stepped Up With Oscar Entry ‘Ne Zha’
TheWrap Oscar magazine: “Since we chose this profession, we cannot allow the animation industry to fail in China,” says director Yu Yang
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Awkwafina on the Personal Tragedy That Connected Her to ‘The Farewell’
TheWrap Oscar magazine: “I was flabbergasted at how much I related to the material and how that ties into my personal life,” the actress says
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How Moroccan Drama ‘Adam’ Exposes the Unequal Treatment of Women in Life and Death
TheWrap Oscar magazine: Director Maryam Touzani says the story of a young woman pregnant out of wedlock is based on a true story “that marked me very deeply — I kept her inside me for 15 years”
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Why ‘Monos’ Director Created ‘Ideological Vacuum’ for His War Drama – and Doesn’t Say Where It’s Set
TheWrap Oscar magazine: “The wars that are fought now — Syria, Iraq, Afghanistan — are fought mainly in the shadows,” director Alejandro Landes says
