Wrap Magazine
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‘Ford v Ferrari’ Editors Say Those Auto-Racing Scenes Weren’t the Biggest Challenge
TheWrap Oscar magazine: “It had to feel like you were in a 24-hour race, but you weren’t just sitting in a car the whole time,” Michael McCusker says
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How Terrence Malick Got His Rapturous, Mystical Look in ‘A Hidden Life’
TheWrap Oscar magazine: “We would continue to explore until the actors feel that they are not performing anymore,” cinematographer Jörg Widmer says
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Where ‘Hustlers’ Costume Designer Got His Inspiration for Those ‘Regrettable’ ’80s Fashions
TheWrap Oscar magazine: “I researched this movie like it was a period movie,” Mitchell Travers says
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How ‘The Irishman’ Nailed a Vintage Look: 295 Locations, 28 Sets, Countless Details
TheWrap Oscar magazine: “It called for a tremendous level of detail,” production designer Bob Shaw says
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How ‘The Lighthouse’ Delivers Ominous Horror Through Simple Cinematography
TheWrap Magazine: “It’s a classic, ghost story, flashlight-under-the-face moment,” cinematographer Jarin Blaschke says of key scene in Robert Eggers film
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‘How to Train Your Dragon’ Creator Dean DeBlois on How the Franchise’s Animation Matured With Hiccup
TheWrap Oscar magazine: “Every single dragon required its own rig and walk cycle,” DeBlois says
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How ‘Joker’ Designer Mapped Gotham With a Touch of DC Comics and a Lot of Old NYC Squalor (Map)
TheWrap Oscar magazine: “Whenever I could, I wanted to seed some bits of Joker-ness into the world,” production designer Mark Friedberg says
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How ‘Bombshell’ Director Jay Roach Tackled ‘Male-Pattern Bulls–‘ at Fox News and Beyond
TheWrap Oscar magazine: “I hoped by telling this story that it goes to show how much it’s not a partisan issue,” the filmmaker says
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‘A Beautiful Day in the Neighborhood’ Writers on What’s Fact and Fiction in Mr Rogers Movie
TheWrap Oscar magazine: Screenwriters Micah Fitzerman-Blue and Noah Harpster explain that one of the lead characters is largely fictionalized — but it isn’t Mr. Rogers
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‘The Report’ Director Scott Z Burns Was Alarmed by Daniel J Jones’ ‘Kafkaesque Ordeal’
TheWrap Oscar Magazine: “It really hit home with me about how f—ed up this thing was,” director and writer says
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‘Dolemite Is My Name’ Writers Explain the Secret to Great Biopics
TheWrap Oscar magazine: “The truth is stranger than fiction, so use as much of it as you possibly can,” Larry Karaszewski says
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‘Ford v Ferrari’ Writers Explain Their Policy: ‘Stick to the Truth, Not the Facts’
TheWrap Oscar magazine: “You do as much diligent research as you can, and then forget about it,” says Jez Butterworth of the approach he and John-Henry Butterworth took on the auto-racing drama
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How ‘The Two Popes’ Screenwriter Created Those Private Conversations in the Vatican
TheWrap Oscar magazine: “We don’t know really what happened,” writer Anthony McCarten says
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Hey, Oscars: Your Vote-Counting System Is Suddenly a Hot Trend in Political Elections
TheWrap Oscar magazine: Ranked-choice voting might seem complicated to Oscar voters, but six states will be using it in the Democratic primaries next year
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Beanie Feldstein, Kaitlyn Dever Knew ‘Booksmart’ Was Special From the Start
TheWrap Oscar magazine: “I feel like this is the movie that everyone wanted growing up and never had,” Kaitlyn Dever says
