Wrap Magazine
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Samantha Bee Says the Worst Part of Making Her Show at Home Is Staring Into Her Husband’s Eyes
TheWrap Emmy magazine: “It’s a much more intimate experience, watching my husband find me not funny,” says the host who now does shows from her back yard
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‘Pose’ Star Billy Porter on the ‘Huge Connection’ Between Coronavirus and AIDS
TheWrap Emmy magazine: “We’re going to destroy ourselves if we don’t change some stuff,” the actor and activist says
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How ‘Schitt’s Creek’ Built Dan Levy’s Confidence: ‘Writing This Show Was a Catharsis for Me’ (Video)
“Playing that character for six years really informed a lot in myself,” actor and showrunner says. “I was able to carry myself with a little bit more confidence and a little bit more gusto”
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Jason Hehir Swears ‘The Last Dance’ Was Not Michael Jordan’s Response to MJ vs LeBron Debate
TheWrap Emmy magazine: “Michael might be the least insecure person I’ve ever met,” docsuseries director says
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How Rob McElhenney Pulled Off a Quarantine Episode of ‘Mythic Quest’: ‘It Was Absolute, Abject Hell’
TheWrap Emmy magazine: “I am glad we did it, but it was incredibly, exponentially more difficult than a normal production,” says the actor and creator of the episode shot entirely on iPhones by the actors themselves
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Jennifer Connelly on How We’re All Living in ‘Snowpiercer’ Dystopia These Days (Video)
TheWrap Emmy magazine: “Everyone on (the train) has been separated from their communities, from the lives they had before, from all the places that they can’t visit anymore,” she says of the dystopian sci-fi miniseries
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How ‘Rick and Morty’ Made ‘The Vat of Acid Episode’ About More Than Just a Vat of Acid
TheWrap Emmy magazine: Creators Dan Harmon and Justin Roiland say they have been working on the idea since Season 1
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‘Tiger King’ Directors Credit the Coronavirus’ ‘Captive Audience’ for Show’s Sensational Success
TheWrap Emmy magazine: “We knew it would be interesting to people, but in this time of the coronavirus, it caught fire in a way that it would never have,” says co-director Eric Goode
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Aidy Bryant on How the Coronavirus Is Shaping Both ‘SNL’ and ‘Shrill’
TheWrap Emmy magazine: “‘SNL at Home’ is a good example of how sometimes those restrictions create creativity, you know?” says the actress and producer of
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Bradley Whitford on What Changes COVID-19 Could Force on ‘Handmaid’s Tale’ – and TV in General
TheWrap Emmy magazine: “I’m afraid it will make them make fewer television shows, fewer movies. It’s concerning to me,” Hulu star says
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Why Issa Rae Made a Fictional True-Crime Series About a Missing Black Woman for ‘Insecure’
TheWrap Emmy magazine: “People don’t necessarily care when black girls go missing. There have been documentaries about how people don’t care,” HBO comedy’s star and co-creator says
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‘1917’ Composer Thomas Newman on Cousin Randy and Growing Up in Oscars’ Most Nominated Family
TheWrap Oscar magazine: “It was always a musical family,” Thomas Newman says of the clan’s 93 Oscar nominations, all in the music categories
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How Producers David Heyman and Emma Tillinger Koskoff Each Landed 2 Best Picture Oscar Noms
TheWrap Oscar magazine: Two successful producers on the challenges of multitasking, pleasing directors and Netflix
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Inside ‘Parasite’ Director Bong Joon Ho’s ‘Embarrassing’ Oscar Season
TheWrap Oscar magazine: “I tend to get shy easily,” the South Korean director says of the acclaim he’s received on this year’s awards circuit
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How ‘Little Women’ Writer-Director Greta Gerwig Was Inspired by Louisa May Alcott – and David Cronenberg
TheWrap Oscar magazine: Director Gerwig and producer Amy Pascal talk about making only the third Best Picture nominee written, directed and produced solely by women
