Wrap Magazine
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No, Alan Cumming Didn’t Expect to Become a Reality Star, Either: ‘Who Would’ve Thunk It?’
TheWrap magazine: The Tony Award-winning Scottish actor says his gig hosting “The Traitors” is indicative of his career: “I’ve always been eclectic and done weird, left-field things”
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Burning Questions About John Oliver, Jon Stewart and the Emmys’ Messy Variety Categories
The variety and talk categories are in increasing disarray, so let’s try to make sense of the jumble
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How Gary Oldman Landed His Dream Role as a Farting Slob in ‘Slow Horses’ | Video
TheWrap magazine: “There’s something very freeing and liberating about playing someone who really doesn’t give a f–k,” the veteran actor says
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Why Morgan Neville’s Steve Martin Documentary Is Two Films in One
TheWrap magazine: “It was six months before I recognized, everything is going in two different directions, so let’s keep it going that way,” the Oscar-winning documentarian says
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Inside the Wacky World of Yorgos Lanthimos’ ‘Poor Things’ With His Irish Producers
TheWrap magazine: “Ignorance was bliss,” Andrew Lowe says of his and Ed Guiney’s leap into their largest production ever
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How Cord Jefferson and Celine Song Grabbed Oscar Success With Their First Movies
TheWrap magazine: A conversation with the directors who got Best Picture nominations with their film debuts, “American Fiction” and “Past Lives”
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How ‘They Shot the Piano Player’ Made the Journey From ‘Stupid Idea’ to Oscar Contender
TheWrap magazine: “This was very complicated — making it real in three languages, working with documentary material but keeping the strategies of fiction storytelling,” says director Fernando Trueba
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Martin Scorsese on Why He Never Fit in Hollywood: ‘I Was Always an Outsider’
TheWrap magazine: “I wanted to belong, but I never belonged,” the “Killers of the Flower Moon” director says of the studio system
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Cillian Murphy on the Brain-Drain of Playing Oppenheimer: ‘Being That Brilliant Is a Burden’
TheWrap magazine: “Hyper-intelligent people see the world in different dimensions than we do,” says the Golden Globe-winning actor
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Emma Stone’s ‘Poor Things’ Journey: Why a Stripped-Down Approach Was Key to the Strangest Role She’s Played
TheWrap magazine: “She doesn’t shy away from any life experiences, whether it’s food, or politics, or philosophy, or sex, or dancing, or travel or science,” Stone says
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Why the Success of ‘The Boy and the Heron’ May Lead to Another Miyazaki Movie
TheWrap magazine: “If this film becomes a major hit, then he may make another film,” says producer Toshio Suzuki
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With ‘Oppenheimer,’ ‘Maestro’ and ‘Killers of the Flower Moon,’ This Is the Year of Female Editors
TheWrap magazine: It’d be only the third time in Oscar history for three female editing nominees
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‘Ferrari,’ ‘Society of the Snow’ and ‘The Killer’ Deliver the Sound of Trouble
TheWrap magazine: The sound teams on those three movies had to conjure up car wrecks, a plane crash and some assassinations
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Meet the Teenage Actors Who Make Italian Oscar Entry ‘Io Capitano’ So Powerful
TheWrap magazine: “It was a big pleasure and pride to represent what immigrants go through,” says Moustapha Fall, who joins Seydou Sarr in Matteo Garrone’s brutal drama
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The Sound of ‘Barbie’: Authentic, Artificial and Sparkly
TheWrap magazine: “Greta (Gerwig) would say things to us like, ‘Put a little sparkle on it,’ and at first I didn’t get what she was saying,” says re-recording mixer Kevin O’Connell
