Wrap Magazine
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How ‘Homeland’ Director Lesli Linka Glatter Navigated the ‘Landmines’ of the Series Finale
TheWrap Emmy magazine: “‘Homeland’ started out with a traitor masquerading as a hero, and it ended with a hero masquerading as a traitor,” Glatter says
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What the Emmys Learned From Previous Makeovers (Including Rod Serling’s 1965 Disaster)
TheWrap Emmy magazine: This year’s coronavirus-caused Emmy makeover isn’t the first time the Television Academy has overhauled its show
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Awards
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How ‘Watchmen’ Director Nicole Kassell Set Show’s Tone With the ‘Opposite of a Superhero Opening’
TheWrap Emmy magazine: “When you have adults dressing in costumes, you really have to … make sure it stays grounded and doesn’t get absurd or silly,” Kassell says
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How ‘Modern Family’ Director Gail Mancuso Tackled Series’ Final Scene: ‘There Were Real Tears’
TheWrap Emmy magazine: “When they were hugging each other, that was the last thing we shot, and I needed one more take,” Emmy-nominated director says
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How Rain Valdez’s Experience as a Trans Asian Woman Inspired Her Emmy-Nominated Web Series
TheWrap Emmy magazine: “I started to feel angry that I didn’t value myself enough to speak up for myself,” Valdez says of the genesis of her web series
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Jeffrey Wright Has Solved When ‘Westworld’ Season 3’s Post-Credits Scene Takes Place: ‘Very Simple’
TheWrap Emmy magazine: HBO star says Bernard “steps out” of The Sublime “with a bit more information”
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‘Handmaid’s Tale’ Star Samira Wiley on How Moira’s Refugee Status Actually Gives Her ‘Control’
TheWrap Emmy magazine: “She’s able to keep her eye on the dream of being able to one day have June,” Hulu star says
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‘Marvelous Mrs. Maisel’ Star Rachel Brosnahan on Midge’s ‘Less Than Straight Path Towards Progress’
TheWrap Emmy magazine: “Midge has really f—ed up, even if she thought she was doing the right thing,” actress says of her character on Amazon Prime show
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Lucasfilm President Kathleen Kennedy on Baby Yoda, ‘The Mandalorian’ and the Future of ‘Star Wars’
TheWrap Emmy magazine: “There was an opportunity to create a workflow that’s different than what has essentially existed for the last hundred years,” “Mandalorian” executive producer says
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Awards
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How Baby Yoda Became the Surprise Breakout Star of ‘The Mandalorian’ – And This Emmy Season
TheWrap Emmy magazine: “I don’t think anybody anticipated the degree to which he would catch on,” executive producer and Lucasfilm chief Kathleen Kennedy says
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‘Unorthodox’ Star Shira Haas on Her ‘Mixed Emotions’ Shaving Her Head on Day 1 of Shooting
TheWrap Emmy Magazine: “I was nervous but I was very excited at the same time. I always had the longest hair as a child,” the actress recalls
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First Ladies Storm the Emmys: Behind Hillary Clinton and Michelle Obama’s Nominated Shows
TheWrap Emmy magazine: The Hulu nonfiction series about Hillary Clinton and the Netflix documentary on Michelle Obama are both in the running this year
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How Dread of Donald Trump Inspired Robin Thede’s ‘A Black Lady Sketch Show’
TheWrap Emmy magazine: “Trump’s going to get us all killed, so why don’t we just extrapolate that into an end-of-the-world scenario?” Thede says of a running sketch in her Emmy-nominated comedy series
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How Quibi Overcame a Rocky Start to Dominate Emmy Nominations in Short-Form Categories
TheWrap Emmy magazine: Actors Christoph Waltz and Jasmine Cephas Jones talk about the new service that landed as many Emmy nominations as all other short-form providers combined
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Awards
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How ‘Hollywood’ Star Jim Parsons Tried to Find the Heart of a ‘Despicable Character’
TheWrap Emmy magazine: “The job as an actor is to see the most seemingly despicable characters as the humans they are,” says the actor who played talent agent Henry Willson in Ryan Murphy’s miniseries
