Wrap Magazine
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Maria Bakalova on Her ‘Completely Insane’ Journey From Bulgaria to ‘Borat’
TheWrap magazine: “I thought, ‘Nobody is going to be giving a platform to an Eastern European person with an accent — forget about this, it’s just a dream,’” says the Golden Globe and SAG-nominated actress
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Emerald Fennell Explains How ‘Promising Young Woman’ Twists the Revenge and Comedy Genres
TheWrap magazine: “It’s important for this film to make people laugh, because your guard is down and it makes it easier to have a conversation,” director says
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Sophia Loren Breaks Down 8 Famous Looks: From ‘Cleopatra’ to Her Blonde Phase
TheWrap magazine: As her new film “The Life Ahead” plays on Netflix, the iconic actress reflects on her decades-long career
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Which of the Oscars’ Special 2020 Rules Are Here to Stay?
TheWrap magazine: Online viewing? Streaming movies qualifying for film awards? Extended eligibility dates?
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Why Making ‘Nomadland’ Left Chloe Zhao ‘Emotionally Drained’
TheWrap magazine: “I wasn’t used to going into a place, getting attached to it and to people and then leaving it behind,” says the writer-director whose next film will be Marvel’s “The Eternals”
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Vanessa Kirby Watched a Woman in Labor for 8 Hours to Prepare for ‘Pieces of a Woman’ Birth Scene
TheWrap magazine: The actress also spoke with real mothers who had lost babies at different stages of pregnancy
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How ‘Minari’ Star Yeri Han Came to Sing the Lullaby-Like Closing Tune (Video)
TheWrap Awards magazine: Composer Emile Mosseri praises the actress’ “beautiful, poetic vocal performance”
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‘MLK/FBI’ Director: ‘America Has Reached a Tipping Point’
TheWrap magazine: “Let’s hope that the fact that communities are being galvanized can make progress toward a change in the American psyche,” Sam Pollard says
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Iranian Oscar Entry ‘Sun Children’ Cries Out Against Child Labor
TheWrap magazine: “If we don’t make the kids’ lives easier, we are destroying our own future,” says director Magid Magidi
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Why ‘Beginning’ Director Filmed Sexual Assault Scene Quietly, From a Distance
TheWrap magazine: “Everyone can feel the terror of this moment, and I thought as a director I don’t need to emphasize anything,” says director Dea Kulumbegashvili
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Caleb Landry Jones’ Brother Told Him to Take ‘The Outpost’ Role: ‘You’re Doing This One’
TheWrap magazine: Jones recounts how his brother, an ex-Marine and combat veteran, read the script to Rod Lurie’s immersive Afghanistan drama and made the choice for him
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Why Cristin Milioti Never Liked Calling ‘Palm Springs’ Just a Romantic Comedy
“It was this beautiful allegory for depression and anxiety and the inability to escape yourself,” actress says
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Sienna Miller on the ‘Wander Darkly’ Scenes She Found ‘Really Difficult to Execute’
“I don’t know that I’m capable of much more vulnerability in a scene than I showed in that,” actress says
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How India Whipped Up the Year’s Wildest, Craziest Oscar Entry With ‘Jallikattu’
TheWrap magazine: “I wanted you to compare the film to what the world actually is,” says director Lijo Jose Pellisserry of his film that descends in rampaging chaos
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‘Charlatan’ Director Explains Why Films Need to Deal With Politics
TheWrap magazine: “We have so many challenges and dangers with authoritarian and totalitarian regimes, and filmmakers cannot pretend that it is not going on,” says Agnieszka Holland
