Wrap Magazine
-
Inside Brian Wilson’s Autobiographical Song for the Doc ‘Long Promised Road’
TheWrap magazine: Co-writer James explains how he based the lyrics to “Right Where I Belong” on old interviews Wilson had given
-
How Costa Rican Drama ‘Clara Sola’ Became Like ‘Carrie Meets Cinderella in Latin America’
TheWrap magazine: “Both films have a very juicy release or explosion,” director Nathalie Álvarez Mesén says
-
With ‘Lingui, the Sacred Bonds,’ Chad’s Top Director Hopes to Change How His Country Views Abortion
TheWrap magazine: “I’m used to making films about men, but I knew I had to become a spokesman for these women,” Mahamat-Saleh Haroun says
-
How International Breakout Star Renate Reinsve Learned to ‘Surrender to the Chaos’
TheWrap magazine: The Norwegian star of the Oscar favorite “The Worst Person in the World” says “it’s impossible to wrap my head around” the attention she’s received for the film
-
‘Titane’ Director Julia Ducournau Shares Nightmares That Inspired Film: ‘I Was Giving Birth to Engine Pieces’
TheWrap magazine: The Palme d’Or winner says that reality was the most important factor for her, “even though that’s not a word often linked to my film”
-
Asghar Farhadi on How COVID Left a Mark on His Oscar Contender ‘A Hero’
TheWrap magazine: The Iranian director was able to erase physical signs of the pandemic, but the delays gave him months more in the rehearsal time he loves
-
Why the Refugee Doc ‘Flee’ Could Only Be Made With Animation
TheWrap Magazine: “Having animation really gave him the space to open up,” Jonas Poher Rasmussen says of convincing an Afghan refugee to share his story
-
Why Mexican Oscar Entry ‘Prayers for the Stolen’ Avoided Scenes of Graphic Drug Violence
TheWrap magazine: “In Mexico, we’re very much contaminated by (violent) images we see constantly,” director Tatiana Huezo says
-
How Dan Stevens Simulated ‘the Strangeness of Humanity’ to Play a German Robot in ‘I’m Your Man’
TheWrap magazine: “He knows everything except the intricacies of human nature,” Stevens says of the android he plays in the German-language comedy
-
Why Todd Haynes Never Wanted to Leave the Editing Room Making ‘The Velvet Underground’
TheWrap magazine: “I love cutting, and it was all I ever wanted to do for the rest of my life, basically,” the director says of his documentary about the groundbreaking band
-
Paolo Sorrentino’s Big Challenge With ‘The Hand of God’: Stop Trying to Be Fellini
TheWrap magazine: “It was clear from the beginning that this movie needed a different style – very simple,” the Italian director says of his highly personal story
-
What ‘Ascension’ Director Learned Filming Inside Chinese Factories Making Sex Dolls and Trump MAGA Merch
TheWrap magazine: “At one of the more disturbing locations, the workers appeared the most relaxed,” documentary filmmaker Jessica Kingdon says
-
Inside Edgar Wright’s Journey From Sparks Rock Doc to Scary ’60s Pop in ‘Last Night in Soho’
TheWrap magazine: “As I got to know the Maels, I felt aggrieved on their behalf that nobody had made” a films about them, the director says of the brothers behind Sparks
-
Oscar Isaac Biggest ‘Scenes From a Marriage’ Problem: He Couldn’t Hide From Jessica Chastain
TheWrap magazine: “You might want to get distance from the person, but you’re not able to, because she knows you so well,” he says of acting with his close friend
-
How ‘Squid Game’ Stars Tapped Into Worldwide ‘Rage’ at Income Inequality – and Got Americans to Embrace Subtitles
TheWrap magazine: “Every other country is used to [subtitles], so we’re going to make you guys do it, too,” star Jung Ho-yeon says
