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Report From Venice

  • ‘Saint Omer’ Review: White Supremacy in France Takes the Stand in Murder Trial

    Documentarian Alice Diop makes a riveting fiction debut with this courtroom drama of a Senegalese woman on trial for infanticide

    By

    Ronda Racha Penrice
    January 12, 2023 @ 3:00 PM
    Movies
    3:00 PM
    ‘Saint Omer’ Review: White Supremacy in France Takes the Stand in Murder Trial
  • ‘The Whale’ Review: Darren Aronofsky Handles a Heavyset Character With a Heavy Hand

    This claustrophobic adaptation of a play simultaneously feels like a departure and entirely of a piece with his filmography

    By

    Ben Croll
    December 20, 2022 @ 12:45 PM
    Movies
    12:45 PM
    ‘The Whale’ Review: Darren Aronofsky Handles a Heavyset Character With a Heavy Hand
  • ‘Bardo’ Review: Iñárritu Uses History, Humor and Surrealism to Dissect Mexico, and Himself

    The Oscar-winning auteur’s most ambitious film yet pulls no punches in his exploration of his homeland and his own life

    By

    Carlos Aguilar
    December 15, 2022 @ 3:27 PM
    Movies
    3:27 PM
    ‘Bardo’ Review: Iñárritu Uses History, Humor and Surrealism to Dissect Mexico, and Himself
  • ‘All the Beauty and the Bloodshed’ Review: Stirring Doc Intertwines the DNA of Nan Goldin’s Art and Activism

    Laura Poitras’ Golden Lion–winner tracks the artist’s life and her commitment to taking on the Sackler family’s presence in the museum world

    By

    Ben Croll
    December 8, 2022 @ 1:05 PM
    Movies
    1:05 PM
    ‘All the Beauty and the Bloodshed’ Review: Stirring Doc Intertwines the DNA of Nan Goldin’s Art and Activism
  • ‘The Eternal Daughter’ Review: Tilda Swinton Plays Mother and Daughter in Ghostly ‘Souvenir’ Sequel

    Venice Film Festival 2022: Swinton takes over the role of stand-in for director Joanna Hogg while still playing the matriarch in this haunting look at parent-child bonds

    By

    Carlos Aguilar
    December 2, 2022 @ 12:57 PM
    Movies
    12:57 PM
    ‘The Eternal Daughter’ Review: Tilda Swinton Plays Mother and Daughter in Ghostly ‘Souvenir’ Sequel
  • ‘White Noise’ Review: Adam Driver Fears Death in Noah Baumbach’s Don DeLillo Adaptation

    The “Marriage Story” filmmaker’s reverent, stylish tribute to a great comic novel about American panic isn’t always the post-pandemic release you need, but it entertains

    By

    Robert Abele
    November 25, 2022 @ 6:00 PM
    Movies
    6:00 PM
    ‘White Noise’ Review: Adam Driver Fears Death in Noah Baumbach’s Don DeLillo Adaptation
  • ‘The Kingdom Exodus’ Review: Lars von Trier Goes Full Meta With the Return of His Creepy Hospital Drama

    Like David Lynch before him, von Trier waited a quarter-century to return to his disturbing TV project

    By

    Martin Tsai
    November 25, 2022 @ 4:45 PM
    TV
    4:45 PM
    ‘The Kingdom Exodus’ Review: Lars von Trier Goes Full Meta With the Return of His Creepy Hospital Drama
  • ‘Bones and All’ Review: Timothée Chalamet Makes Sparks Fly and People Die in Cannibal Road Movie

    Luca Guadagnino’s film feels like a mad science experiment to see if “Raw” can coexist with “Badlands” in the body of a gooey Young Adult love tale

    By

    Ben Croll
    November 22, 2022 @ 2:26 PM
    Movies
    2:26 PM
    ‘Bones and All’ Review: Timothée Chalamet Makes Sparks Fly and People Die in Cannibal Road Movie
  • ‘TAR’ Review: Cate Blanchett Is at Her Peak in Razor-Sharp Character Study

    Todd Field’s drama engages playfully and provocatively with hot-button topics as Blanchett delivers yet another fiery performance

    By

    Ben Croll
    October 27, 2022 @ 4:55 PM
    Movies
    4:55 PM
    ‘TAR’ Review: Cate Blanchett Is at Her Peak in Razor-Sharp Character Study
  • ‘Argentina, 1985’ Review: Advocates and Activists Fight to Reveal the Nation’s Painful Past

    Santiago Mitre doesn’t rewrite the historical drama, but his courtroom procedural on the Trial of the Juntas is an effective crowd-pleaser

    By

    Carlos Aguilar
    October 20, 2022 @ 5:57 PM
    Movies
    5:57 PM
    ‘Argentina, 1985’ Review: Advocates and Activists Fight to Reveal the Nation’s Painful Past
  • ‘The Banshees of Inisherin’ Film Review: Colin Farrell and Brendan Gleeson Are Back for More Twisted, Feckin’ Fun

    Director Martin McDonagh has reunited the stars of “In Bruges” for a quieter film that’s still a disturbed delight

    By

    Steve Pond
    October 20, 2022 @ 1:21 PM
    Reviews
    1:21 PM
    ‘The Banshees of Inisherin’ Film Review: Colin Farrell and Brendan Gleeson Are Back for More Twisted, Feckin’ Fun
  • ‘Dead for a Dollar’ Review: Walter Hill Captures the Best and Worst of Low-Budget Westerns

    The film’s handful of grace notes are overpowered by lots of cut-short scenes that seem to signal the director’s impatience

    By

    Ben Croll
    September 29, 2022 @ 5:30 PM
    Movies
    5:30 PM
    ‘Dead for a Dollar’ Review: Walter Hill Captures the Best and Worst of Low-Budget Westerns
  • ‘Athena’ Review: Romain Gavras Captures French Police Brutality With Visceral Power

    The story of a clash between cops and the Middle Eastern community calls to mind co-writer Ladj Ly’s recent “Les Misérables”

    By

    Carlos Aguilar
    September 22, 2022 @ 5:25 PM
    Movies
    5:25 PM
    ‘Athena’ Review: Romain Gavras Captures French Police Brutality With Visceral Power
  • ‘Don’t Worry Darling’ Review: Florence Pugh Shines as Olivia Wilde Provokes

    Pugh and Harry Styles star in Wilde’s satiric and somewhat frantic psychological thriller

    By

    Steve Pond
    September 22, 2022 @ 1:25 PM
    Reviews
    1:25 PM
    ‘Don’t Worry Darling’ Review: Florence Pugh Shines as Olivia Wilde Provokes
  • ‘Pearl’ Film Review: Stunning Prequel Makes ‘X’ Even Better Than It Already Was

    Mia Goth (who co-wrote with director Ti West) gives a sad, scary performance that deepens the character and her saga

    By

    William Bibbiani
    September 15, 2022 @ 1:51 PM
    Reviews
    1:51 PM
    ‘Pearl’ Film Review: Stunning Prequel Makes ‘X’ Even Better Than It Already Was
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