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Steve Pond

Steve Pond

Steve Pond

Steve Pond’s inside look at the artistry and insanity of the awards race, drawn from more than three decades of obsessively chronicling the Oscars and the entertainment industry.

  • ‘Anora’ Review: Sean Baker Whips Up a Wild Stripper Romance Thriller Comedy, or Something Like That

    Cannes 2024: The film swings wildly back and forth while also hanging onto its heart, and it’s just too much fun to worry about how much Baker is cramming in

    By

    Steve Pond
    May 21, 2024 @ 8:18 AM
    Cannes Report
    8:18 AM
    ‘Anora’ Review: Sean Baker Whips Up a Wild Stripper Romance Thriller Comedy, or Something Like That
  • ‘The Shrouds’ Review: David Cronenberg’s Exploration of Grief Is as Sad as It Is Creepy

    Cannes 2024: Vincent Cassel and Diane Kruger star in a movie inspired by the 2017 death of the director’s wife

    By

    Steve Pond
    May 20, 2024 @ 2:45 PM
    Cannes Report
    2:45 PM
    ‘The Shrouds’ Review: David Cronenberg’s Exploration of Grief Is as Sad as It Is Creepy
  • ‘The Apprentice’ Review: Donald Trump Movie Starring Sebastian Stan Plays Like a Tragic Frankenstein Tale

    Cannes 2024: With Stan as a young Trump and Jeremy Strong as lawyer Roy Cohn, the film is amusing at times and disturbing at others

    By

    Steve Pond
    May 20, 2024 @ 10:05 AM
    Cannes Report
    10:05 AM
    ‘The Apprentice’ Review: Donald Trump Movie Starring Sebastian Stan Plays Like a Tragic Frankenstein Tale
  • Cannes So Far: Filmmakers Go Mega in a Muted Festival

    Cannes 2024: At a festival still recovering from a pandemic and strikes, the directors have taken big swings

    By

    Steve Pond
    May 20, 2024 @ 6:00 AM

    Pro Available to WrapPRO members

    Cannes Report
    6:00 AM
    Cannes So Far: Filmmakers Go Mega in a Muted Festival

    Pro Available to WrapPRO members

  • ‘Horizon: An American Saga’ Review: Kevin Costner Unveils a Sprawling, Old-Fashioned Western

    Cannes 2024: The first of a projected four movies is a corny, rousing epic for people who say they don’t make ’em like that anymore

    By

    Steve Pond
    May 19, 2024 @ 2:19 PM
    Cannes Report
    2:19 PM
    ‘Horizon: An American Saga’ Review: Kevin Costner Unveils a Sprawling, Old-Fashioned Western
  • ‘Jim Henson Idea Man’ Review: Ron Howard Takes a Loving, Honest Look at Muppets Creator

    Cannes 2024: Skillful, honest and sympathetic, this is the kind of film you’d want about Jim Henson

    By

    Steve Pond
    May 18, 2024 @ 4:29 PM
    Cannes Report
    4:29 PM
    ‘Jim Henson Idea Man’ Review: Ron Howard Takes a Loving, Honest Look at Muppets Creator
  • ‘Caught by the Tides’ Review: Jia Zhangke Stands Up for China but Watches Things Fall Apart

    Cannes 2024: The film is an elegy of sorts, at times angry and abrasive but more often gentle and reflective

    By

    Steve Pond
    May 18, 2024 @ 9:38 AM
    Cannes Report
    9:38 AM
    ‘Caught by the Tides’ Review: Jia Zhangke Stands Up for China but Watches Things Fall Apart
  • Francis Ford Coppola Hasn’t Seen Those ‘Megalopolis’ Reviews Yet

    Cannes 2024: “I’m told it went over very well,” says the legendary director of his wild and divisive epic

    By

    Steve Pond
    May 18, 2024 @ 8:13 AM
    Cannes Report
    8:13 AM
    Francis Ford Coppola Hasn’t Seen Those ‘Megalopolis’ Reviews Yet
  • ‘Kinds of Kindness’ Review: Yorgos Lanthimos Brings Back Emma Stone and Willem Dafoe for a Surreal Creep-Fest

    Cannes 2024: “The Favourite” and “Poor Things” were fun, but this trio of dark and disturbing stories is old-style Lanthimos

    By

    Steve Pond
    May 17, 2024 @ 9:56 AM
    Cannes Report
    9:56 AM
    ‘Kinds of Kindness’ Review: Yorgos Lanthimos Brings Back Emma Stone and Willem Dafoe for a Surreal Creep-Fest
  • ‘On Becoming a Guinea Fowl’ Review: African Story Slips Between Fable and Hard Reality

    Cannes 2024: Rungano Nyoni’s follow-up to “I Am Not a Witch” is timely, but it also exists completely out of time

    By

    Steve Pond
    May 16, 2024 @ 11:37 AM
    Cannes Report
    11:37 AM
    ‘On Becoming a Guinea Fowl’ Review: African Story Slips Between Fable and Hard Reality
  • ‘Furiosa: A Mad Max Saga’ Review: Anya Taylor-Joy Takes Over in a Brutal Return to Fury Road

    Cannes 2024: The fifth “Mad Max” installment contains as many vehicular stunts as a “Fast  & Furious” flick but still felt at home in the Grand Theatre Lumiere at Cannes

    By

    Steve Pond
    May 15, 2024 @ 12:30 PM
    Cannes Report
    12:30 PM
    ‘Furiosa: A Mad Max Saga’ Review: Anya Taylor-Joy Takes Over in a Brutal Return to Fury Road
  • ‘Wild Diamond’ Review: Cannes Character Study Is Empathetic and Unforgiving

    Cannes 2024: First-time director Agathe Riedinger presents social media and reality TV stardom as a pie-in-the-sky way to escape a life of poverty

    By

    Steve Pond
    May 15, 2024 @ 8:45 AM
    Movies
    8:45 AM
    ‘Wild Diamond’ Review: Cannes Character Study Is Empathetic and Unforgiving
  • A Serious Cannes Film Festival Opens With a Goofy Comedy, ‘The Second Act’

    Cannes 2024: Quentin Dupieux’s film about the making of the first AI movie is an amusing trifle, and very meta

    By

    Steve Pond
    May 14, 2024 @ 1:47 PM
    Movies
    1:47 PM
    A Serious Cannes Film Festival Opens With a Goofy Comedy, ‘The Second Act’
  • ‘Top Boy,’ ‘Such Brave Girls’ Win at BAFTA Television Awards

    Acting winners include “Succession” star Matthew Macfadyen and “Happy Valley” lead Sarah Lancashire

    By

    Steve Pond
    May 12, 2024 @ 12:03 PM
    Awards
    12:03 PM
    ‘Top Boy,’ ‘Such Brave Girls’ Win at BAFTA Television Awards
  • Academy Launches $500 Million Campaign to Celebrate 100th Oscars

    The Academy100 campaign is aimed at deepening the organization’s international impact

    By

    Steve Pond
    May 10, 2024 @ 8:00 AM
    Awards
    8:00 AM
    Academy Launches $500 Million Campaign to Celebrate 100th Oscars
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