Alonso Duralde
-
‘House at the End of the Street’ Review: Silly Third Act Drags Down the Property Value
There’s a germ of a good idea in this teen thriller starring Jennifer Lawrence, but then the characters and the plot twists start getting too stupid
-
‘How to Survive a Plague’ Review: Turns Out You Can Fight City Hall, Even When It’s the White House
Stirring documentary connects the dots between ACT UP’s media-savvy protests and the creation of the “cocktail” that made AIDS less of a death sentence
-
‘End of Watch’ Review: Compelling Drama From a Cop’s Point of View
Jake Gyllenhaal and Michael Peña’s LAPD officers get swept up in a larger plot that sneaks up on them — and, interestingly, the movie itself
-
‘Dredd 3D’ Review: An Action Movie Not Smart Enough to Know How Dumb It Is
A second attempt at adapting the violent British comic book isn’t helped by the obvious comparisons to the recent “The Raid: Redemption”
-
Five Reasons You Should Shell Out for ‘Finding Nemo 3D’
Why it’s worth your whale to pay 3D prices for a return visit under the sea with Dory, Marlin and the whole fishy gang
-
‘The Master’ Review: Scientology or Not, Emotionally It’s Just Running on Cruise Control
Watching “The Master,” I found myself impressed with the craftsmanship but strangely disengaged
-
‘Liberal Arts’ Review: A Tepid, TV-Ready Rom-Com About Supposedly Smart People
Josh Radnor’s sophomore effort as writer-director shows the “How I Met Your Mother” star is better suited for the small screen
-
‘The Cold Light of Day’ Review: A Zippy Little Spy Thriller With Extra Hitchcock Sauce
Henry Cavill is an innocent man on the run — and Sigourney Weaver his deliciously evil nemesis — in this disposable but unflaggingly entertaining action flick
-
‘Hello I Must Be Going’ Review: Melanie Lynskey, Blythe Danner Make Divorce Fun Again
You’ve seen this depressed-divorcée story before, but the cast makes it feel fresh and funny
-
‘Keep the Lights On’ Review: For This Dysfunctional Couple, Love Is the Drug – and So Is Crack
Ira Sachs’ tale of obsession and addiction doesn’t let its characters, or the audience, off the hook easy
-
‘For a Good Time, Call …’ Review: Bawdy Chick Flick Delivers Dirty-Mouthed Diversion
Ari Graynor and Lauren Anne Miller are BFF phone-sex operators in this slight but consistently amusing comedy
-
‘Little Birds’ Review: Innocence Lost, Yada, Yada
Juno Temple and Kay Panabaker wade through writer-director Elgin James’ coming-of-age clichés in this tired indie
-
‘Lawless’ Review: The Moonshine is Clear, the Music is Slick, the Film’s a Mess
Snazzy production design and clever soundtrack choices can’t overcome the sketchy performances by Tom Hardy and Shia LaBeouf as Southern bootleggers
-
‘Premium Rush’ Review: Adrenaline Trumps Logic in This Exhilarating Bike Chase
Joseph Gordon-Levitt zips around Manhattan on two wheels in a silly — but thrilling — action movie
-
‘Hit and Run’ Review: Promising Comedy Falls Just Short of the Finish Line
Writer-codirector-star Dax Shepard mixes audacious laughs with car-chase thrills for a movie that misses the mark by just that much
