Wrap Magazine (Awards)
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Ariana DeBose Calls ‘West Side Story’ an ‘Incredibly Healing Project’ as an Afro-Latina
TheWrap Magazine: “When I was growing up, I was one of the only people who looked like me,” the Oscar nominee says
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Jimmy Kimmel Drops Brian Cox’s Logan Roy Into the ‘Euphoria’ ‘Oklahoma’ Scene and It’s Great (Video)
“Succession”-“Euphoria” mashup should be canon in our opinion
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Why Kirsten Dunst Couldn’t Have Delivered Her ‘Power of the Dog’ Performance Until Now
TheWrap magazine: “The older I get, the less I care about what anybody thinks,” Dunst says
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How Animators Made a Mountain Talk for ‘The Summit of the Gods’
TheWrap magazine: “The higher we go, the less dialogue we have,” says director Patrick Imbert of his mountaineering tale
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How ‘Vivo’ Managed an Animated Oner With the Help of Roger Deakins
TheWrap magazine: Director Kirk DeMicco explains how the Oscar-winning DP consulted on the Netflix film
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How ‘Maid’ Star Margaret Qualley Dove Into Motherhood Alongside Her Real-Life Mom
TheWrap magazine: The star of Netflix’s hit series was nervous about playing a mother convincingly. It helped that Andie MacDowell was her costar
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‘Raya and the Last Dragon’ Filmmakers on How the Production Embodied the Movie’s Themes
TheWrap magazine: The Disney filmmakers explain how their real-life experience bled onto the screen
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In ‘King Richard,’ Aunjanue Ellis Makes a Case for the Williams Sisters’ Heroic Mother
TheWrap magazine: For Ellis, playing Oracene Price meant being an “advocate” for a woman whose role in her daughters’ careers has been under-appreciated
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How Andrew Garfield Went From Jonathan Larson to Jim Bakker to Spider-Man in One Crazy Year
TheWrap magazine: “It was a very mystical, profound thing, a kind of storytelling ritual of grief and even gratitude,” says Garfield of his role in “tick, tick…BOOM!”
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‘Sing 2’ Director Garth Jennings on Bono’s Big Moment
TheWrap magazine: We go inside the making of the animated sequel’s climactic moment
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Guillermo del Toro on ‘Nightmare Alley’: No Monsters, No Problem
TheWrap magazine: “In my movies, the real monster is man, and it was about time to try it without any fantastical elements,” says the director
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How Oscar Voters Could Make the Best Picture Category Even Weirder This Year
Expanding the category to 10 nominees could increase variety, but only if voters take advantage of the opportunity they’ve been given
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‘My Sunny Maad’: Making an Animated Film That Doesn’t Feel Like Animation
TheWrap magazine: “I wanted to make a film where people would forget it’s animated,” says Czech director Michaela Pavlatova
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Why ‘C’mon C’mon’ Director Didn’t Want Lead Male Character to Be ‘A Bad Person’
TheWrap magazine: “I see so many dumb, bad, negative men…I wanted him to be more like people I know,” Mike Mills says
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Pedro Almodovar and Penelope Cruz on Pain, Friendship and Sexy Mothers
TheWrap magazine: “When Penélope arrived in the Spanish cinema, let’s just say that housewives and mothers became much more attractive,” says Almodovar
