Awards
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Ryan Reynolds and Rob McElhenney Will Do ‘Welcome to Wrexham’ ‘As Long as We Possibly Can’
TheWrap magazine: If interesting stories keep “falling off the tree,” the duo will continue telling them
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In ‘The Righteous Gemstones,’ Fashion Sells the Jokes ‘Even More’
TheWrap Magazine: Costume designer Christina Flannery explains why she’s never afraid to go too big for the HBO comedy
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‘What We Do in the Shadows’ Hair and Makeup Team Explains How They Vamp Up the Vamps
TheWrap magazine: Tamara Harrod and Sarah Milk break down their process of making the cast look so very undead
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A Rude Theory About Why ‘Curb Your Enthusiasm’ Was So Groundbreaking
TheWrap magazine: EP Jeff Schaffer says “Curb” is a comedy of manners. Sure, but it’s also the first sitcom about an a–hole
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‘The Cranes Call’ Review: Documentary’s Hunt for Russian War Criminals Is the Stuff of Studio Thrillers
Tribeca 2024: Laura Warner’s film follows criminal investigators with a riveting cinematic flare
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For Avy Kaufman, Casting the All-Queer ‘Fellow Travelers’ Is a Full-Circle Moment From ‘Brokeback Mountain’
TheWrap magazine: “That wouldn’t have happened even 10 years ago. It just wouldn’t,” she says
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The Strange Chemistry of ‘In the Know’: Stop Motion Animation Meets Woke NPR Weirdos
TheWrap magazine: “I was born listening to an uncomfortable amount of NPR,” cocreator Zach Woods says
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Marvel’s ‘Echo’ Star Alaqua Cox Says the Series’ Impact Still ‘Feels So Surreal’
TheWrap magazine: “I’ll see myself on the screen as an ad and it just kind of hits me all over again,” the actress says
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Stop Squeezing the Limited Series Category, Emmys
TheWrap magazine: There’s something wrong when the hottest, most competitive category on the show is only allowed five nominees
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Nick Kroll Says It’s a ‘Disservice’ to Keep ‘Big Mouth’ Going Forever
TheWrap magazine: The co-creator, EP, writer and voice actor discusses the impact the outgoing NSFW animated comedy has had on all age groups
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Gillian Anderson on ‘Scoop’ and the Women Who Brought Down Prince Andrew
TheWrap magazine: “The fact that we get an opportunity to celebrate the women at the heart of nabbing this [story] is fantastic,” Anderson says
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‘A Gentleman in Moscow’: Why Abstract Russian Art Came to Dominate Its Main Titles
TheWrap magazine: “For 10 years, they made art that seemed to oppose the new regime,” designer Matt Curtis says
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‘James Brown: Say It Loud’ Grapples With a Big Question: Was He the Most Important Black Man in America?
TheWrap magazine: The four-part docuseries is the latest from “The Legacy of Black Wall Street” director Deborah Riley Draper
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How the ‘Blue Eye Samurai’ Creators Got Their Decidedly Grown-Up Animated Series Off the Ground
TheWrap magazine: “This was a very personal story,” says EP Amber Noizumi. “The only way to tell it was in a new way”
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Why the ‘Franklin’ Hair and Makeup Designer Embraced All That Is ‘Completely Absurd’
TheWrap magazine: For Alessandro Bertolazzi, 18th-century French aristocratic style was the epitome of ridiculousness, so why not embrace it?
