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Awards

  • Marianne Jean-Baptiste and Aunjanue Ellis-Taylor Talk ‘Hard Truths,’ ‘Nickel Boys’ and Bold Creative Swings | Visionaries

    The actresses swap candid stories about working with directors who take unusual leaps in the latest installment of TheWrap’s longform video series

    By

    Adam Chitwood
    January 2, 2025 @ 9:00 AM
    Awards
    9:00 AM
    Marianne Jean-Baptiste and Aunjanue Ellis-Taylor Talk ‘Hard Truths,’ ‘Nickel Boys’ and Bold Creative Swings | Visionaries
  • Glenn Close, Anthony Mackie, Salma Hayek and More Among Presenters at 2025 Golden Globes

    Anya Taylor-Joy, Kaley Cuoco, Michael Keaton, Michelle Yeoh and more are also presenting at this year’s ceremony

    By

    Raquel 'Rocky' Harris
    January 2, 2025 @ 8:02 AM
    Awards
    8:02 AM
    Glenn Close, Anthony Mackie, Salma Hayek and More Among Presenters at 2025 Golden Globes
  • ‘Emilia Pérez’ Duo Zoe Saldaña and Jacques Audiard on Art as Healing and the True Nature of Rita and Emilia’s Relationship | Visionaries

    The actress and writer-director connect and unpack the Netflix film in TheWrap’s longform video series

    By

    Adam Chitwood
    December 31, 2024 @ 9:00 AM
    Awards
    9:00 AM
    ‘Emilia Pérez’ Duo Zoe Saldaña and Jacques Audiard on Art as Healing and the True Nature of Rita and Emilia’s Relationship | Visionaries
  • ‘Pachinko’: Inside the Editing Room for the Game-Changing Season 2 Finale

    TheWrap magazine: Showrunner Soo Hugh wants to “make sure we have options in the cutting room — ‘mild,’ ‘medium’ and ‘spicy’ performances,” editor Susan E. Kim says

    By

    Philiana Ng
    December 23, 2024 @ 2:00 PM
    Awards
    2:00 PM
    ‘Pachinko’: Inside the Editing Room for the Game-Changing Season 2 Finale
  • Why Transforming Colin Farrell for ‘The Penguin’ Was ‘Harder on Every Level’ Than ‘The Batman’

    TheWrap magazine: Makeup designer Mike Marino says the biggest challenge in creating Oz Cobb’s look was fighting that thick head of hair

    By

    Jacob Bryant
    December 23, 2024 @ 1:00 PM
    Awards
    1:00 PM
    Why Transforming Colin Farrell for ‘The Penguin’ Was ‘Harder on Every Level’ Than ‘The Batman’
  • How ‘Dune 2’ DP Greig Fraser Captured That Striking Austin Butler Fight Without Extensive VFX

    TheWrap magazine: The color-absent sequence was shot using infrared cameras, which the Oscar-winning cinematographer has been experimenting with for years

    By

    Adam Chitwood
    December 23, 2024 @ 12:30 PM
    Awards
    12:30 PM
    How ‘Dune 2’ DP Greig Fraser Captured That Striking Austin Butler Fight Without Extensive VFX
  • What Is VistaVision? How ‘The Brutalist’ Revived a Beautiful but Cumbersome Film Format

    TheWrap magazine: Cinematographer Lol Crawley describes the artistic power of this unique film process – and why it’s come back in style

    By

    Joe McGovern
    December 23, 2024 @ 12:00 PM
    Awards
    12:00 PM
    What Is VistaVision? How ‘The Brutalist’ Revived a Beautiful but Cumbersome Film Format
  • This Is Not a Real Tube Station: Inside the Harrowing ‘Blitz’ Flooding Scene

    TheWrap magazine: Oscar-winning production designer Adam Stockhausen gives a tour of a train station built to get wet

    By

    Joe McGovern
    December 23, 2024 @ 10:00 AM
    Awards
    10:00 AM
    This Is Not a Real Tube Station: Inside the Harrowing ‘Blitz’ Flooding Scene
  • Are Gender-Neutral Acting Categories Biased Against Women?

    An examination of five groups that have implemented the categories in the last three years reveals an unusual tilt

    By

    Steve Pond
    December 21, 2024 @ 10:51 AM
    Awards
    10:51 AM
    Are Gender-Neutral Acting Categories Biased Against Women?
  • How ‘Only Murders in the Building’ Season 4 Found Its Hollywood Doppelganger Trio

    TheWrap magazine: Casting directors Tiffany Little Canfield and Destiny Lilly explain how Eugene Levy, Zach Galifianakis, Eva Longoria and others joined the star-studded cast

    By

    Lucas Manfredi
    December 20, 2024 @ 2:00 PM
    Awards
    2:00 PM
    How ‘Only Murders in the Building’ Season 4 Found Its Hollywood Doppelganger Trio
  • ‘Nickel Boys’: How the First-Person Cinematography ‘Creates Intimacy and Urgency in Every Shot’

    TheWrap magazine: “Movies let us walk a mile in someone else’s shoes,” cinematographer Jomo Fray says of the POV effect. “That’s the fundamental promise of cinema: compassion.”

    By

    Joe McGovern
    December 20, 2024 @ 1:00 PM
    News
    1:00 PM
    ‘Nickel Boys’: How the First-Person Cinematography ‘Creates Intimacy and Urgency in Every Shot’
  • ‘Heretic’ Opening Scene: How Hugh Grant’s Wallpaper Is One Big Rorschach Test

    TheWrap magazine: Production designer Philip Messina walks us through the living room set that kicks off A24’s acclaimed horror film

    By

    Joe McGovern
    December 20, 2024 @ 10:00 AM
    Awards
    10:00 AM
    ‘Heretic’ Opening Scene: How Hugh Grant’s Wallpaper Is One Big Rorschach Test
  • Clothing Steeped in History and Meaning: Inside the ‘Shōgun’ Costumes

    TheWrap magazine: Emmy-winning costume designer Carlos Rosario explains key pieces from the epic series’ stunning wardrobe

    By

    Missy Schwartz
    December 20, 2024 @ 8:00 AM
    Awards
    8:00 AM
    Clothing Steeped in History and Meaning: Inside the ‘Shōgun’ Costumes
  • ‘A Complete Unknown’: How Its Designers Brought Back Greenwich Village – and Bob Dylan’s Skinny Jeans

    TheWrap magazine: “We’re not making a documentary, but we’re trying to excavate the essence of Dylan,” costume designer Arianne Phillips says

    By

    Steve Pond
    December 19, 2024 @ 2:00 PM
    Awards
    2:00 PM
    ‘A Complete Unknown’: How Its Designers Brought Back Greenwich Village – and Bob Dylan’s Skinny Jeans
  • ‘Dune: Prophecy’ Costume Designer Enjoyed the ‘Tricky’ Task of Creating New Looks in an Existing Universe

    TheWrap magazine: Bojana Nikitović breaks down the trial and error process it took to make Ynez’s striking engagement dress

    By

    Jacob Bryant
    December 19, 2024 @ 1:00 PM
    Awards
    1:00 PM
    ‘Dune: Prophecy’ Costume Designer Enjoyed the ‘Tricky’ Task of Creating New Looks in an Existing Universe
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