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Robert Hofler

  • ‘The Bridges of Madison County’ Theater Review: This Broadway Version Is the Charm

    The collaboration here is a nearly perfect melding of story, arias, dialogue, recitative and pop tunes. Robert Jason Brown has written arias for Kelli O’Hara, country pop for Steven Pasquale, which is a sly reversal of Mary Martin and Ezio Pinza’s historic turns in “South Pacific”

    By

    Robert Hofler
    February 20, 2014 @ 8:00 PM
    8:00 PM
    ‘The Bridges of Madison County’ Theater Review: This Broadway Version Is the Charm
  • ‘The Tribute Artist’ Theater Review: Aging Drag Queen Gets Role of Lifetime in Charles Busch’s Daring Comedy

    How is an aging drag queen who specializes in Bette and Marilyn going to keep working in Vegas when all the Millennials and Gen-Xers want are impersonations of Rihanna and Beyonce? Busch offers one possibility

    By

    Robert Hofler
    February 9, 2014 @ 7:00 PM
    7:00 PM
    ‘The Tribute Artist’ Theater Review: Aging Drag Queen Gets Role of Lifetime in Charles Busch’s Daring Comedy
  • ‘Bronx Bombers’ Theater Review: Yogi Berra and Reggie Jackson Make Belated Broadway Debut

    It’s crisis time in the land of the Yankees. And a sports crisis for playwright-director Eric Simonson is equal to a nuclear meltdown or the onset of male pattern baldness

    By

    Robert Hofler
    February 6, 2014 @ 7:00 PM
    7:00 PM
    ‘Bronx Bombers’ Theater Review: Yogi Berra and Reggie Jackson Make Belated Broadway Debut
  • How ‘A Clockwork Orange’ Author Anthony Burgess Soured on Stanley Kubrick (Book Excerpt)

    In an excerpt from Robert Hofler’s new book “Sexplosion,” we learn how Burgess went from standing in for Kubrick at awards presentations to pillorying him onstage

    By

    Robert Hofler
    February 4, 2014 @ 1:53 PM
    1:53 PM
    How ‘A Clockwork Orange’ Author Anthony Burgess Soured on Stanley Kubrick (Book Excerpt)
  • ‘Outside Mullingar’ Theater Review: John Patrick Shanley Returns to ‘Moonstruck’ Turf Via Ireland

    Compared to Debra Messing and Brian F. O’Byrne’s long courtship here, Patrick Stewart and Ian McKellen’s wait for Godot a few blocks away at the Cort seems comparatively brief in theater time

    By

    Robert Hofler
    January 23, 2014 @ 7:00 PM
    7:00 PM
    ‘Outside Mullingar’ Theater Review: John Patrick Shanley Returns to ‘Moonstruck’ Turf Via Ireland
  • ‘Machinal’ Theater Review: Rebecca Hall Wins by Losing It in Her Broadway Debut

    This dazzling Roundabout Theater production often recalls an urban contradiction that is a hallmark of Edward Hopper’s paintings: loneliness coupled with a total lack of privacy.

    By

    Robert Hofler
    January 16, 2014 @ 7:00 PM
    7:00 PM
    ‘Machinal’ Theater Review: Rebecca Hall Wins by Losing It in Her Broadway Debut
  • ‘Beautiful’ Theater Review: The New Carole King Musical Has the Guts to Play It Nice

    Here is arguably the nicest, most normal, least eccentric personality ever to be at the center of a Broadway musical. “Beautiful” is the show for theatergoers who don’t like drama queens. Is there such an animal?

    By

    Robert Hofler
    January 12, 2014 @ 11:55 PM
    11:55 PM
    ‘Beautiful’ Theater Review: The New Carole King Musical Has the Guts to Play It Nice
  • ‘Waiting for Godot’ & ‘No Man’s Land’ Theater Review: Ian McKellen & Patrick Stewart Lighten Up on the Angst

    For sheer laughs per minute, these two stars deliver the goods as if they were instead performing a farce by Alan Ayckbourn or Christopher Durang

    By

    Robert Hofler
    November 24, 2013 @ 6:00 PM
    6:00 PM
    ‘Waiting for Godot’ & ‘No Man’s Land’ Theater Review: Ian McKellen & Patrick Stewart Lighten Up on the Angst
  • ‘Macbeth’ Theater Review: Ethan Hawke Stars in a Movie-Friendly Staging

    Director Jack O’Brien lets us know that this is a very human-scale drama, but later in the play you may wonder who’s that horrible couple everybody’s gossiping about

    By

    Robert Hofler
    November 21, 2013 @ 7:00 PM
    7:00 PM
    ‘Macbeth’ Theater Review: Ethan Hawke Stars in a Movie-Friendly Staging
  • ‘The Commons of Pensacola’ Theater Review: Blythe Danner Rocks, Sarah Jessica Parker Recyles

    Amanda Peet’s “The Commons of Pensacola” belongs to that class of TV pilots that never get picked up and instead take up residence in Hollywood’s tiny store-front theaters

    By

    Robert Hofler
    November 21, 2013 @ 7:00 PM
    7:00 PM
    ‘The Commons of Pensacola’ Theater Review: Blythe Danner Rocks, Sarah Jessica Parker Recyles
  • ‘A Gentleman’s Guide to Love & Murder’ Theater Review: Broadway’s Tops ‘Kind Hearts and Coronets’

    Darko Tresnjak directs a compact, wickedly witty new musical. Especially delightful is the cheesy execution of the show’s hysterically funny murders

    By

    Robert Hofler
    November 17, 2013 @ 3:22 PM
    3:22 PM
    ‘A Gentleman’s Guide to Love & Murder’ Theater Review: Broadway’s Tops ‘Kind Hearts and Coronets’
  • ‘Domesticated’ Theater Review: Jeff Goldblum Plays the Lowest of the Low

    After taking on the racial divide in his Pulitzer Prize-winning “Clybourne Park,” Bruce Norris returns to examine the war of the sexes in an equally funny and scathing comedy

    By

    Robert Hofler
    November 4, 2013 @ 7:08 PM
    7:08 PM
    ‘Domesticated’ Theater Review: Jeff Goldblum Plays the Lowest of the Low
  • ‘Betrayal’ Theater Review: James Bond’s a Loutish Cuckold

    It’s a marvel of acting to watch Daniel Craig slowly bring the subtext of raging anger to the fore in scene after scene of this Harold Pinter revival

    By

    Robert Hofler
    October 27, 2013 @ 7:00 PM
    7:00 PM
    ‘Betrayal’ Theater Review: James Bond’s a Loutish Cuckold
  • ‘The Snow Geese’ Theater Review: Mary-Louise Parker Gets Lost in the Weeds

    The characters unburden themselves of so much complicated history in the first moments that you might consider retitling it “Autumn: Onondaga County”

    By

    Robert Hofler
    October 24, 2013 @ 7:00 PM
    7:00 PM
    ‘The Snow Geese’ Theater Review: Mary-Louise Parker Gets Lost in the Weeds
  • ‘The Landing’ Theater Review: The New John Kander Musical’s for People Who Don’t Like Musicals

    David Hyde Pierce stars in John Kander’s first musical without longtime collaborator Fred Ebb, and there’s not a showgirl or boy in sight.

    By

    Robert Hofler
    October 23, 2013 @ 7:00 PM
    Culture
    7:00 PM
    ‘The Landing’ Theater Review:  The New John Kander Musical’s for People Who Don’t Like Musicals
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