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Robert Hofler

  • ‘The Effect’ Theater Review: A Playwright Takes a Page From Tom Cruise

    David Cromer builds the suspense up to an eerie sex scene in Lucy Prebble’s new thriller. What will Act 2 bring? It’s not what you expect, unfortunately

    By

    Robert Hofler
    March 20, 2016 @ 5:00 PM
    5:00 PM
    ‘The Effect’ Theater Review: A Playwright Takes a Page From Tom Cruise
  • ‘She Loves Me’ Broadway Review: Zachary Levi, Laura Benanti Channel Tom Hanks, Meg Ryan in Song

    A fine new revival is as sweet and sugary as its most famous tune, but never loses touch with the characters’ pain and heartbreak

    By

    Robert Hofler
    March 17, 2016 @ 5:00 PM
    5:00 PM
    ‘She Loves Me’ Broadway Review: Zachary Levi, Laura Benanti Channel Tom Hanks, Meg Ryan in Song
  • ‘Hold on to Me Darling’ Theater Review: Timothy Olyphant’s Fake Tears Make for Real Laughs

    Kenneth Lonergan’s new comedy looks at the Nashville/Hollywood axis and a monster it has spawned

    By

    Robert Hofler
    March 14, 2016 @ 6:00 PM
    6:00 PM
    ‘Hold on to Me Darling’ Theater Review: Timothy Olyphant’s Fake Tears Make for Real Laughs
  • ‘Southern Comfort’ Theater Review: Transgender Men and Women Sing About Falling in Love

    Kate Davis’ 2001 documentary about a transgender man is now a musical. The songs aren’t as didactic as “I Am What I Am,” but a few anthems come close

    By

    Robert Hofler
    March 13, 2016 @ 7:00 PM
    7:00 PM
    ‘Southern Comfort’ Theater Review: Transgender Men and Women Sing About Falling in Love
  • ‘The Robber Bridegroom’ Theater Review: Steven Pasquale Soars But Show Is More ‘Hee-Haw’ Than Southern

    Pasquale brings his easy, natural charm to the stage, while the rest of the cast gets lost in the sticks of Ma and Pa Kettle

    By

    Robert Hofler
    March 13, 2016 @ 4:00 PM
    4:00 PM
    ‘The Robber Bridegroom’ Theater Review: Steven Pasquale Soars But Show Is More ‘Hee-Haw’ Than Southern
  • ‘Blackbird’ Broadway Review: Jeff Daniels, Michelle Williams at Odds in Many Different Ways

    Daniels reprises a great performance. Williams is mannered to the point of distraction

    By

    Robert Hofler
    March 10, 2016 @ 5:25 PM
    5:25 PM
    ‘Blackbird’ Broadway Review: Jeff Daniels, Michelle Williams at Odds in Many Different Ways
  • ‘Disaster!’ Broadway Review: ‘The Poseidon Adventure’ With Songs and Fewer Laughs

    Occasionally a performer breaks through the ice of mediocrity to showcase real comic chops in this jukebox musical homage to the 1970s

    By

    Robert Hofler
    March 8, 2016 @ 5:00 PM
    5:00 PM
    ‘Disaster!’ Broadway Review: ‘The Poseidon Adventure’ With Songs and Fewer Laughs
  • ‘The Royale’ Theater Review: Jack Johnson Lives to Fight Again Despite Doubts

    Marco Ramirez’s play depicts a thinly fictionalized version of the pioneering black boxer from the early 20th century, taking us inside the athletes’ heads

    By

    Robert Hofler
    March 7, 2016 @ 7:00 PM
    7:00 PM
    ‘The Royale’ Theater Review: Jack Johnson Lives to Fight Again Despite Doubts
  • ‘A Room of My Own’ Theater Review: Mario Cantone, Ralph Macchio Remember a Meatball Mama

    The sleeping arrangement in “A Raisin in the Sun” is luxurious compared to what the Morelli family endures. Also, they’re a lot funnier than the Youngers

    By

    Robert Hofler
    February 25, 2016 @ 6:51 PM
    6:51 PM
    ‘A Room of My Own’ Theater Review: Mario Cantone, Ralph Macchio Remember a Meatball Mama
  • ‘Hughie’ Broadway Review: Forest Whitaker Makes Debut in Edward Hopper-Style O’Neill

    The Oscar-winning actor delivers a most endearing Erie, right down to the nervous giggle he adds to punctuate the character’s otherwise bottomless despair

    By

    Robert Hofler
    February 25, 2016 @ 5:00 PM
    5:00 PM
    ‘Hughie’ Broadway Review: Forest Whitaker Makes Debut in Edward Hopper-Style O’Neill
  • ‘Smokefall’ Theater Review: Zachary Quinto Goes from Footnote to Fetus and Back

    Noah Haidle’s play takes us inside the womb to give us the inside track on what it’s like to be born. It’s as audacious as it is pretentious

    By

    Robert Hofler
    February 22, 2016 @ 6:00 PM
    6:00 PM
    ‘Smokefall’ Theater Review: Zachary Quinto Goes from Footnote to Fetus and Back
  • ‘Nice Fish’ Theater Review: Mark Rylance Takes the Plunge as Actor and Author

    Rylance offers an older version of Sean Penn in “Fast Times at Ridgemont High” in this play about ice fishing, thermal underwear and life up north

    By

    Robert Hofler
    February 21, 2016 @ 5:14 PM
    5:14 PM
    ‘Nice Fish’ Theater Review: Mark Rylance Takes the Plunge as Actor and Author
  • ‘Buried Child’ Theater Review: Ed Harris, Amy Madigan Dig Deep Into Sam Shepard Territory

    Nat Wolff (“The Fault in Our Stars”) and Taissa Farmiga (“American Horror Story”) also star in revival of a play with no good words for the male sex

    By

    Robert Hofler
    February 17, 2016 @ 4:30 PM
    4:30 PM
    ‘Buried Child’ Theater Review: Ed Harris, Amy Madigan Dig Deep Into Sam Shepard Territory
  • ‘Smart People’ Theater Review: Joshua Jackson, Tessa Thomson Gets Caught in Racial Crossfire

    Lydia R. Diamond’s new play is about racism in the way that Jules Feiffer’s “Carnal Knowledge” screenplay is about sexism. Nothing else is open for discussion

    By

    Robert Hofler
    February 11, 2016 @ 7:00 PM
    7:00 PM
    ‘Smart People’ Theater Review: Joshua Jackson, Tessa Thomson Gets Caught in Racial Crossfire
  • ‘Prodigal Son’ Theater Review: John Patrick Shanley Loves What He Sees in Mirror of His Youth

    The young student hero of Shanley’s play talks like a 65-year-old playwright who took an adult education course in Western civilization

    By

    Robert Hofler
    February 9, 2016 @ 7:00 PM
    7:00 PM
    ‘Prodigal Son’ Theater Review: John Patrick Shanley Loves What He Sees in Mirror of His Youth
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