Robert Hofler
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‘Heisenberg’ Broadway Review: Mary-Louise Parker Stuck in Pretentious Physics-Inspired Play
A puny new drama from the author of “The Curious Incident of the Dog in the Night-Time”
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‘Oh, Hello on Broadway’ Review: A Comedy Central Skit Makes the Jump to the Big Stage
Nick Kroll smells bad, John Mulaney doesn’t … And that’s a problem for a comedy about two lumpy old men on Manhattan’s Upper West Side
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‘Holiday Inn’ Broadway Review: Like Visiting Berlin Before the Fall of the Wall
An Irving Berlin movie classic peters out long before Valentine’s Day in this new stage incarnation at Studio 54
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‘The Encounter’ Broadway Review: How to Enjoy Getting Lost in the Theater
In a tech-driven show that includes headsets for audience members, Simon McBurney re-creates true expedition in Amazon rain forests
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‘All the Ways to Say I Love You’ Theater Review: Sex, Lies and Neil LaBute’s Big Paddle
Judith Light finds herself stuck in a high school teacher’s office, and she’s not the only one trapped there
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‘The Layover’ Theater Review: Patricia Highsmith’s ‘Strangers on a Train’ Reimagined
Leslye Headland’s new play careens between terrific meet-cute humor and the darkest romantic obsessions
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‘Privacy’ Theater Review: Daniel Radcliffe Loses His Way Online but Finds Edward Snowden
James Graham’s comedy features so much audience participation that it resembles the entertainment on a cruise ship captained by Franz Kafka
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‘The Taming of the Shrew’ Theater Review: All-Woman Revival in Central Park Sends Up Donald Trump
Under the direction of Phyllida Lloyd, the Public Theater’s production ends up with a lot of small men on stage
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Tony Award Predictions: Can Anything Stop ‘Hamilton’ Juggernaut?
Lin-Manuel Miranda’s musical and Stephen Karam’s play “The Humans” look to be the big winners, but probably won’t set any records
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‘Paramour’ Broadway Review: There’s Cirque du Soleil Gold Amid Showbiz Dross
The three very uncharismatic leads and their generic tunes wear out their welcome fast. Fortunately, the acrobats and aerialists never do
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‘The Total Bent’ Theater Review: Stew and Heidi Rodewald Deliver a ‘Dreamgirls’ for Men
Most musical-history shows offer up ersatz versions of classics. Stew and Rodewald write classics. Period
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‘Incognito’ Theater Review: Lots of Physics, Not Much Meaning From Nick Payne
Albert Einstein’s brain meets an amnesiac pianist, and as we learn in a jumbled new play, both should just be left alone
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‘Hadestown’ Theater Review: Anais Mitchell Drops Orpheus Into a Postapocalyptic World
The bad guys steal the show from Orpheus and Eurydice, and when they do, you feel like you’ve just stepped onto Bourbon Street
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‘The Judas Kiss’ Theater Review: Oscar Wilde on Trial Again, This Time With Rupert Everett
A brilliant new revival establishes David Hare’s tragedy for what it has always been: one of the great plays of the late 20th Century
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‘A Streetcar Named Desire’ Theater Review: Gillian Anderson, Ben Foster Take a Trip to Dollywood
Tennessee Williams’ idea of illusion and magic has been reduced to a lot of Maybelline and Aqua Net