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‘4th Man Out’ Review: Coming-Out Comedy Should Have Come Out 10 Years Ago
Outdated, unfunny and unappealingly bro-y, this Outfest favorite only works if you’re invested in one very specific way of being gay
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‘Jane Got a Gun’ Review: Natalie Portman Western Romance Hits Its Target
Inexplicably hidden from advance press, this scandal-plagued project overcame the odds to deliver an earnestly felt actioner
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‘The Boy’ Review: Scary-Doll Horror Flick Is Creepy and Clever
A nanny escaping from an abusive ex gets more than she bargained for
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‘Dirty Grandpa’ Review: Robert De Niro, Zac Efron Comedy More Interested in Gross-Outs Than Jokes
Aubrey Plaza also stars in crude, rude bummer of a spring break movie
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’13 Hours’ Review: Michael Bay’s Benghazi Tale Has Way More Bullets Than Brains
Great action sequences can’t make up for a willfully stupid look at war and terror
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‘The Masked Saint’ Review: Preaching Replaces Pageantry in Christian Wrestling Biopic
Truth feels phonier than fiction in a film more interested in platitudes than storytelling
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‘Where to Invade Next’ Review: Michael Moore Discredits Himself in Rambling New Doc
Moore’s international search for solutions to America’s problems are undone by an overly simplistic conceit
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18 Great Performances in Mediocre Movies in 2015
TheWrap Rewind 2015: From Jennifer Lawrence in “Joy” to Tom Hardy in “Legend,” critics Inkoo Kang and Alonso Duralde identify great turns in meh films
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‘Son of Saul’ Review: Hungary’s Oscar Entry Is a Tense, Immersive Masterpiece
Holocaust drama is as harrowing as it is brilliant
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‘Alvin and the Chipmunks: The Road Chip’ Review: Sequel Runs Out of Steam Before Its Destination
Unfunny, unaffecting, unnecessary live-action film will nibble away at audiences’ patience quite quickly
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TheWrap Critics Pick 10 Worst Movies of 2015
TheWrap Rewind 2015: From “Stonewall” to “Pixels,” reviewers Alonso Duralde and Inkoo Kang recall the most cringe-worthy releases of the year
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TheWrap Critics Pick 10 Best Movies of 2015
TheWrap Rewind 2015: From “Spotlight” to “Son of Saul” to “Mad Max: Fury Road,” Alonso Duralde and Inkoo Kang select the year’s finest new releases
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‘Macbeth’ Review: Michael Fassbender, Marion Cotillard Make Shakespeare Majestically Raw
Fassbender proves his genius for combative malevolence once again in an exciting new vision of the Scottish play
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‘The Letters’ Review: Mother Teresa Biopic Makes Unconvincing Case for Sainthood
Juliet Stevenson stars in a dramatically comatose feature that feels like Sunday school homework
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‘#Horror’ Review: Chloe Sevigny Gets Embroiled in Cyber-Bullying That Escalates
Actress and designer-turned-director Tara Subkoff channels teenage aggression and wrings her hands over social-media sadism in moody, visually striking genre film
