Drew Taylor is a senior film reporter at TheWrap, writing broadly across topics including blockbuster films, production, animation and with a side passion for Hollywood’s theme parks. Before joining the site in 2021, Drew was a film journalist with a keen interest in animation and Disney history. Drew has been covering film, television and theme parks for 15 years, writing for the New York Times, the New York Daily News, Time Out New York, Collider, The Playlist, Polygon, Vulture, Box Office Magazine, AOL Travel and Syfy.
Experience:
Resides In:
Toluca Lake, California
Education:
Drew received his Bachelor of Arts degree in Literary Studies from Eugene Lang College of Liberal Arts at The New School in New York, New York.
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Golden Globes to YouTube? Todd Boehly Says Ceremony Will Likely ‘Transition’ to Streaming (Video)
The tarnished awards may end up without a broadcast deal in its first year as a for-profit
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‘Monarch: Legacy of Monsters’ Trailer Brings Godzilla-Sized Mayhem to the Small Screen (Video)
The series debuts Nov. 17 on Apple TV+
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‘Fair Play’ on T-Street: How ‘The Date Movie From Hell’ Was Born | Digital Cover
Chloe Domont’s erotic thriller is the first film made out of Rian Johnson and Ram Bergman’s new incubator program
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Actors Return to Picket Line Fired Up After Studios Cut Off SAG-AFTRA Talks: ‘We Are Not Caving’
Picketers at Warner Bros. and Disney lots Thursday remain resolute, with one 76-year-old actor proclaiming, “I’m fighting to the death”
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‘For All Mankind’ Season 4 Trailer Promises a Gold Rush in Space (Video)
Old man makeup ahoy!
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First Trailer for ‘The Iron Claw’ Brings the Real Life Wrestling Drama to Life With Ripped Zac Efron (Video)
The A24 title opens in December
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A24 Expands Strategy From Arthouse Gems to More Commercial Films | Exclusive
“With a $2.5 billion valuation, it’s pretty obvious that they need to expand into more commercial films,” a distribution exec said
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Cyclops Print Works Debuts 2 Spooky New Disney Prints for Halloween (Exclusive)
The Haunted Mansion and “The Lonesome Ghosts” come home
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Disney Quietly Adds Original Movies Removed From Disney+ to Paid Platforms
Now you can watch “The One and Only Ivan” whenever you want for $20
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New ‘Lawmen: Bass Reeves’ Trailer Leans Into the Taylor Sheridan Show’s ‘Lone Ranger’ Connections (Video)
The new Paramount+ series debuts in November
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‘Bad Guys: A Very Bad Holiday’ Special Sets Release Date, New Voice Cast
The follow-up from DreamWorks Animation will stream on Netflix
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Sony Pictures Animation Taps Damien de Froberville as EVP, Production and Operating Strategy
He most recently served as CEO and producer for Sergio Pablos Studio in Spain
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Disney Promotes Lylle Breier to Executive Vice President, Marketing Partnerships and Special Events
Breier began her career at the company as an intern while attending UCLA
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Every Guillermo del Toro Movie Ranked, From ‘Cronos’ to ‘Pinocchio’
We’re going from “least great” to “most great”
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How ‘The Creator’ Crafted a Bold Vision of the Future on a Fraction of a Normal Blockbuster Budget
Filmmakers used prosumer cameras and super-wide lenses and designed VFX after principal photography