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Dan Callahan

  • ‘See How They Run’ Review: All-Star Backstage Whodunit Winds Up Dead on Arrival

    Sam Rockwell and Saoirse Ronan lead an impressive ensemble, but all the references to classic mysteries can’t save this leaden farce

    By

    Dan Callahan
    September 16, 2022 @ 10:00 AM
    Movies
    10:00 AM
    ‘See How They Run’ Review: All-Star Backstage Whodunit Winds Up Dead on Arrival
  • ‘Private Desert’ Film Review: Pen Pal Turns Stalker in Morally Questionable Brazilian Import

    The filmmakers ultimately reveal themselves to be as recklessly naïve as their protagonists

    By

    Dan Callahan
    September 8, 2022 @ 2:18 PM
    Movies
    2:18 PM
    ‘Private Desert’ Film Review: Pen Pal Turns Stalker in Morally Questionable Brazilian Import
  • ‘When the Waves Are Gone’ Film Review: Lav Diaz Creates Another Haunting Portrait, at His Own Pace

    Venice 2022: The Filipino director, known for his lengthy running times, crafts a tale of two policemen at odds with stronger visuals than dialogue

    By

    Dan Callahan
    September 5, 2022 @ 9:00 AM
    Movies
    9:00 AM
    ‘When the Waves Are Gone’ Film Review: Lav Diaz Creates Another Haunting Portrait, at His Own Pace
  • ‘Monica’ Film Review: Trace Lysette and Patricia Clarkson Find Aching Truth in Hushed Family Drama

    Venice Film Festival 2022: Writer-director Andrea Pallaoro frames Lysette in scenarios where she seems isolated and trapped, like Monica Vitti in vintage Michelangelo Antonioni

    By

    Dan Callahan
    September 3, 2022 @ 7:15 AM
    Movies
    7:15 AM
    ‘Monica’ Film Review: Trace Lysette and Patricia Clarkson Find Aching Truth in Hushed Family Drama
  • ‘Peter Von Kant’ Film Review: Ozon Does Fassbinder, and We’ve Already Been Here Before

    “The Bitter Tears of Petra Von Kant” felt like a matter of life and death, whereas this gender-swapped remake feels like a hastily-planned, A-list party

    By

    Dan Callahan
    September 1, 2022 @ 5:21 PM
    Movies
    5:21 PM
    ‘Peter Von Kant’ Film Review: Ozon Does Fassbinder, and We’ve Already Been Here Before
  • ‘They/Them’ Film Review: Sharp Script Gives Bite to Gay-Conversion Camp Horror Story

    Kevin Bacon delivers cult-leader charisma and clearly relishes the subtleties of writer-director John Logan’s dialogue

    By

    Dan Callahan
    August 2, 2022 @ 12:14 PM
    Movies
    12:14 PM
    ‘They/Them’ Film Review: Sharp Script Gives Bite to Gay-Conversion Camp Horror Story
  • ‘Anything’s Possible’ Film Review: Billy Porter’s Directorial Debut Starts Strong, Gets Bogged Down

    Outfest 2022: A very appealing high-school romance gets derailed by an avalanche of check-the-boxes issues regarding trans lives

    By

    Dan Callahan
    July 15, 2022 @ 2:00 PM
    Movies
    2:00 PM
    ‘Anything’s Possible’ Film Review: Billy Porter’s Directorial Debut Starts Strong, Gets Bogged Down
  • ‘Marx Can Wait’ Film Review: Marco Bellocchio Powerfully Explores His Familial Grief and Guilt

    In a new documentary, the master Italian filmmaker unsparingly examines his twin brother’s 1968 suicide without the veil of fiction

    By

    Dan Callahan
    July 14, 2022 @ 10:24 AM
    Movies
    10:24 AM
    ‘Marx Can Wait’ Film Review: Marco Bellocchio  Powerfully Explores His Familial Grief and Guilt
  • ‘Halftime’ Film Review: Jennifer Lopez Doc Tracks a Star Who Continues to Ascend

    Tribeca Film Festival 2022: The tireless singer and actress preps for the Super Bowl, mounts an Oscar campaign and works a runway like nobody else

    By

    Dan Callahan
    June 14, 2022 @ 1:25 PM
    Movies
    1:25 PM
    ‘Halftime’ Film Review: Jennifer Lopez Doc Tracks a Star Who Continues to Ascend
  • ‘All Man’ Film Review: Remembering the Underwear Catalog That Shaped a Generation

    Tribeca Film Festival 2022: If you were a gay man coming of age between the 1970s and early 1990s, International Male was a passport to another world

    By

    Dan Callahan
    June 12, 2022 @ 5:30 PM
    Movies
    5:30 PM
    ‘All Man’ Film Review: Remembering the Underwear Catalog That Shaped a Generation
  • ‘God Save the Queens’ Film Review: Dismal Drag Comedy Bobbles the Laughs and the Drama

    Tribeca Film Festival 2022: LGBTQ indie dips its toe into complicated topics about sex and gender before sashaying away

    By

    Dan Callahan
    June 10, 2022 @ 5:00 PM
    Movies
    5:00 PM
    ‘God Save the Queens’ Film Review: Dismal Drag Comedy Bobbles the Laughs and the Drama
  • ‘Butterfly in the Sky’ Film Review: LeVar Burton Recalls the Golden Days of ‘Reading Rainbow’

    Tribeca Film Festival 2022: This warm-hearted doc looks back at the triumphs and the battles that kept the beloved PBS show on the air for 23 years

    By

    Dan Callahan
    June 9, 2022 @ 4:30 PM
    Movies
    4:30 PM
    ‘Butterfly in the Sky’ Film Review: LeVar Burton Recalls the Golden Days of ‘Reading Rainbow’
  • ’18 1/2′ Film Review: Watergate Comedy-Thriller Tries to Coast on Sheer Chutzpah

    Writer-director Dan Mirvish is clearly taking a page from Robert Altman, but there’s a reason why not all of Altman’s movies worked

    By

    Dan Callahan
    May 26, 2022 @ 1:37 PM
    Movies
    1:37 PM
    ’18 1/2′ Film Review: Watergate Comedy-Thriller Tries to Coast on Sheer Chutzpah
  • ‘Firebird’ Film Review: Gay USSR Romance Looks Gorgeous but the Story Falls Apart

    The love story runs out of steam, but cinematographer Mait Mäekivi bathes the protagonists in evocative hues that recall early Technicolor

    By

    Dan Callahan
    April 28, 2022 @ 2:14 PM
    Movies
    2:14 PM
    ‘Firebird’ Film Review: Gay USSR Romance Looks Gorgeous but the Story Falls Apart
  • ‘Mothering Sunday’ Film Review: British Romance Offers Sexy Visuals and Muddled Plotting

    Director Eva Husson doesn’t always nail story or character, but her camera loves to linger on Josh O’Connor

    By

    Dan Callahan
    March 23, 2022 @ 12:29 PM
    Movies
    12:29 PM
    ‘Mothering Sunday’ Film Review: British Romance Offers Sexy Visuals and Muddled Plotting
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