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Chris Willman

  • Review: Black Keys’ Glam ‘El Camino’ Leaves Blues in the Dust

    The erstwhile indie-rock duo re-team with producer Danger Mouse for that ol’ T-Rex sound

    By

    Chris Willman
    December 6, 2011 @ 9:09 AM
    9:09 AM
  • Review: Amy Winehouse’s ‘Lioness’ Opens Up An All-Too-Empty Vault

    Only two of the songs on Winehouse’s posthumous collection post-date ‘Back to Black,’ and they were clearly unfinished, suggesting just how fallow her last years were

    By

    Chris Willman
    December 5, 2011 @ 8:09 PM
    8:09 PM
  • Review: Adele Bares It All in Candor-Filled ‘Live at Albert Hall’

    The hottest diva of 2011 bares her sheer musicality on a live CD… and plenty of amusingly profane confessions on the longer DVD that comes with it

    By

    Chris Willman
    November 29, 2011 @ 10:47 AM
    10:47 AM
  • Review: Beyonce’s ‘Live at Roseland’ DVD is Almost Worth the Self-Worship

    The singer turns in some typically strong performances on her concert DVD, if you can get past all the self-serving patter

    By

    Chris Willman
    November 29, 2011 @ 7:34 AM
    7:34 AM
  • Review: Hot Chelle Rae Will Leave Grown-Ups Lukewarm With ‘Whatever’

    The teen-targeted quartet has captivated the Radio Disney demographic, but more mature listeners will take the impassive album title to heart

    By

    Chris Willman
    November 28, 2011 @ 6:24 PM
    6:24 PM
  • Review: ‘Idol’ Finalist James Durbin’s Hair Metal Is Cheesy Fun

    Chris Daughtry isn’t the only hard-rock-singing fourth-place finalist releasing an album this week

    By

    Chris Willman
    November 22, 2011 @ 7:50 PM
    7:50 PM
  • Review: Rihanna Seesaws Between Romance and Raunch in ‘Talk That Talk’

    Rihanna alternates between would-be filth and deep feelings on her new album, but she’s more convincing at sex talk than real talk

    By

    Chris Willman
    November 21, 2011 @ 6:10 PM
    6:10 PM
  • Review: Taylor Swift Goes From Country Girl to Broadway Baby in ‘Speak Now’

    The AMAs’ top honoree has a solid document of a tour that memorably married her post-adolescent poetry to gleefully over-the-top pageantry

    By

    Chris Willman
    November 21, 2011 @ 12:32 PM
    12:32 PM
  • CBS Juggles Robert Wagner as Suspect on ‘NCIS’ … and Himself on ’48 Hours’

    Talk about odd timing: Wagner’s character is investigated for murder on America’s favorite crime drama just three days after he’s included as part of a real-life investigation on CBS

    By

    Chris Willman
    November 19, 2011 @ 7:00 PM
    7:00 PM
  • Police Say Media Interest Prompted New Inquiry Into Natalie Wood Death

    A “48 Hours” investigation helped accelerate Sheriff Department’s decision to re-open the investigation nearly 30 years after actress’s death

    By

    Chris Willman
    November 19, 2011 @ 4:03 PM
    4:03 PM
    Police Say Media Interest Prompted New Inquiry Into Natalie Wood Death
  • Chris Weitz: ‘A Better Life’ Gardener Not So Different From My ‘Twilight’ Vampires

    Both are about discrimination, the “New Dawn” director tells the crowd at TheWrap’s Awards Screening Series

    By

    Chris Willman
    November 18, 2011 @ 1:46 PM
    1:46 PM
  • Review: Drake Is One Lonesome Hip-Hop Lothario in ‘Take Care’

    Hip-hop’s biggest freshman of 2010 comes back with a savvy sophomore album about how lonely it is at the (recently-arrived-at) top

    By

    Chris Willman
    November 15, 2011 @ 6:56 PM
    6:56 PM
  • Review: Betty Wright and the Roots Revive the Right ’70s Soul Stuff

    A veteran soul singer (and Joss Stone’s mentor) hooks up with the Roots for an album deeply mired, in the best possible way, in the R&B of 40 years ago

    By

    Chris Willman
    November 15, 2011 @ 1:16 PM
    1:16 PM
  • Review: ‘Glee’ Holiday Album Offers the Whitest Possible Christmas

    Even with an unambiguously gay “Let It Snow,” the second Christmas album from the “Glee” cast couldn’t be any more musically conservative

    By

    Chris Willman
    November 15, 2011 @ 11:18 AM
    11:18 AM
  • Review: David Lynch Makes an Untranscendental, Unmeditative, Transfixingly Odd Solo Album

    The filmmaker’s first musical solo effort has a lot of spooky, character-drive, Vocoder-ized slow blues… and a couple of dance tracks that won’t make the Black Eyed Peas lose sleep

    By

    Chris Willman
    November 8, 2011 @ 4:45 PM
    4:45 PM
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