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‘TAR’ Review: Cate Blanchett Is at Her Peak in Razor-Sharp Character Study
Todd Field’s drama engages playfully and provocatively with hot-button topics as Blanchett delivers yet another fiery performance
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‘Onoda’ Review: French Director Makes Japanese Biopic With American Influences
Arthur Harari’s near three-hour drama borrows from John Ford to tell the story of a WWII Japanese soldier who didn’t give up for 29 years
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‘Triangle of Sadness’ Review: Gross-Out Comedy Is Overlong and Understuffed
“The Square” filmmaker Ruben Östlund returns with a social commentary that relishes in toilet humor
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‘Dead for a Dollar’ Review: Walter Hill Captures the Best and Worst of Low-Budget Westerns
The film’s handful of grace notes are overpowered by lots of cut-short scenes that seem to signal the director’s impatience
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‘Casablanca Beats’ Film Review: World Cinema Hip-Hop Musical Is a Blitz of Movement and Music
Nabil Ayouch’s film argues that the power of personal expression can turn the world on its head
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‘Blonde’ Film Review: Ana de Armas Recreates Marilyn and Norma Jeane, in Black and White and Technicolor
Venice Film Festival 2022: Director Andrew Dominik pivots between the nightmare of fame and hooray-for-Hollywood grandeur with surrealist flair
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‘Three Thousand Years of Longing’ Film Review: George Miller’s Fantasia Explodes All Your Blockbuster Expectations
Tilda Swinton and Idris Elba star in a visually imaginative exploration of storytelling
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Karlovy Vary Film Festival Wraps With Edgy Films, Digital Dreams to ‘Reflect the Full Cinematic Culture of the Year’
The “ambiguous” film festival’s artistic director Karel Och reflects on one of its best years of programming yet
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Karlovy Vary Film Festival Explores Israeli-American Connections in ‘America’ and ‘June Zero’
Karlovy Vary 2022: Ofir Raul Graizer crafts an intimate love triangle, while Jake Paltrow explores Israeli history through characters on the periphery
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‘Vesper’ Film Review: Quietly Dazzling Sci-Fi Drama Creates a New Kind of Genre
Karlovy Vary Film Festival: This European-made, English-language production mixes modern young-adult fiction with the rhythms of the European arthouse
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Karlovy Vary Film Festival Opens With Pop and Politics
The day after a fiery opening ceremony, Liev Schreiber makes a plea for Ukraine
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‘Official Competition’ Film Review: Antonio Banderas and Penélope Cruz Cut Loose in Breezy Comedy
The actors’ megawatt charisma is enough to carry the show, at least for a while
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‘Mother and Son’ Film Review: Intimate Immigration Drama Spans Decades
Cannes 2022: Léonor Serraille closes out Cannes’ main competition with a family story whose touch is more tactile than didactic
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‘Holy Spider’ Film Review: Disturbing Serial-Killer Drama Goes to Extremes to Show Violence Against Women
Cannes 2022: “Border” director Ali Abbasi reimagines the 2001 case of an Iranian religious fanatic who slaughtered 16 young women
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‘R.M.N.’ Film Review: Cristian Mungiu Explores Romania’s Fractured History Through One Conflicted Town
Cannes 2022: The director of “4 Months, 3 Weeks and 2 Days” lights a slow fuse but the payoff brings the fireworks
