Alonso Duralde, TheWrap’s film reviews editor, has written about film for Movieline, Salon, Village Voice and MSNBC.com. He also co-hosts the “Linoleum Knife,” “Maximum Film!” and “Breakfast All Day” podcasts. A member of the Los Angeles Film Critics Association and the National Society of Film Critics, Duralde has discussed cinema on TCM, CNN and ABC, among others, and was a regular contributor to FilmStruck. He is the author of “Have Yourself a Movie Little Christmas” and “101 Must-See Movies for Gay Men” and the co-author of “I’ll Be Home for Christmas Movies”; his history of queer Hollywood will be published by TCM/Running Press in 2024.
Experience:
-
‘La La Land’ Review: Ryan Gosling and Emma Stone Trip the Light Fantastic
In his follow-up to “Whiplash,” writer-director Damien Chazelle serves up a recognizable Los Angeles that’s also a singing, dancing land of dreams
-
‘Things to Come’ Review: Isabelle Huppert Dazzles in Coming-of-Middle-Age Tale
The French actress offers another unforgettable performance as a woman who loses everything but keeps going
-
‘Miss Sloane’ Review: Jessica Chastain’s Complicated Lobbyist Feels Cable-Ready
The actress does her best to fill in the script’s character gaps, but the whole enterprise is undone by some third-act switcheroos
-
‘Rules Don’t Apply’ Review: Warren Beatty Makes Great Pieces That Don’t Quite Fit Together
There’s a Howard Hughes biopic and a lovely Hollywood romance going on here, but they never quite cohere enough to make one movie between them
-
‘Moana’ Review: Dwayne Johnson Invigorates Disney’s South Seas Saga
This latest animated adventure is mostly business as usual, but the title character does bolster the studio’s roster of non-princess heroines
-
‘Take Me to the River’ Review: This Family Reunion Plays Like Polanski, With Cicadas
Writer-director Matt Sobel’s extraordinary debut feature boasts a powerful ensemble cast and finds the tension in what people don’t talk about
-
‘Nocturnal Animals’ Review: Tom Ford Gambles Big and Wins on Second Feature
Amy Adams and Jake Gyllenhaal star in a film that successfully melds grit and glamour, the past and present, fiction and reality
-
‘Arrival’ Review: Amy Adams Talks to Aliens in Cerebral Sci-Fi Story
Denis Villeneuve’s tale of humanity’s first contact with ETs wants to appeal to both the heart and the head, but it succeeds mostly above the shoulders
-
‘Almost Christmas’ Review: Danny Glover and Mo’nique Serve Up Holiday Satisfaction
If you come to Christmas movies for laughs, poignancy and familial reconciliation, this all-star cast provides it in abundance
-
‘Loving’ Review: Civil Rights Tale Captures Soft-Spoken Southern Humanity
Writer-director Jeff Nichols takes a low-key approach to the interracial couple whose marriage battle went to the Supreme Court
-
‘Hacksaw Ridge’ Review: Mel Gibson Says War Is Hell — Except When It’s Awesome
The “Passion of the Christ” director extols pacifism with one hand while making war brutally exciting with the other
-
‘Trolls’ Review: Justin Timberlake, Anna Kendrick Are Floppin’ to the Oldies
Shrill Kidz Bop-ish covers and an eye-assaulting color scheme make for one awful animated adventure
-
‘Doctor Strange’ Review: Benedict Cumberbatch Brings a Little Magic to the Marvel Universe
Just when you’d given up on superheroes and CGI, along comes a funny, exciting, trippy movie with an interesting take on both
-
‘Jack Reacher: Never Go Back’ Review: Tom Cruise Hits Marks, Punches Faces in Fun, Formulaic Sequel
This follow-up is as featureless and generic as its title, but the action and the banter make for a pleasant, if disposable, trip to the movies
-
‘Keeping Up with the Joneses’ Review: Jon Hamm and Zach Galifianakis Waste Their Time, and Ours
Inane spy spoof doesn’t deserve its cast (which also includes Gal Gadot and Isla Fisher) or its director (Greg Mottola)
